Martin Pechlát

A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.

The only thing separating Nina and Richard from divorce is a contract they once wrote on a paper napkin while drunk, in which they pledged that whoever causes the end of the relationship will not receive a single crown from their joint property.

Colorful characters of various ages, personalities, professions, and hobbies are all searching for happiness, though each in a different place and with a different outcome.

Four fathers meet in the secondary school gym, where the headmistress has summoned them after a bag containing a suspicious white powder was found amongst their sons’ belongings during a skiing trip. Each of them arrives with different excuses and the conviction that it is their child who is innocent. What’s more, the headmistress knows that a local councillor is trying to secure her job for his mistress, and she suspects that the whole situation is part of a campaign against her. The meeting thus quickly descends into a series of misunderstandings, accusations and increasingly absurd situations. One afternoon that spirals completely out of control for everyone involved.

Three years after the fall of the Berlin Wall; six months before the split of Czechoslovakia. Despite all warnings, a young homicide detective sets on investigating a convoluted case that involves Catholic clerical elite and high-ranked agents of the former secret service.

A young clerk is delegated to sort out the affairs of a certain property. It is an old castle belonging to the city with a garden, in which nobody is really interested, but the tenants of the property do not pay rent and taxes, do not work and do not send their children to school. Correcting this state of affairs will prove difficult, because it is a family of aristocratic spirits who have so far dealt with scares and witchcraft, but do not know the material concerns of ordinary mortals and cannot imagine such a revolution in their lives.

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

Four old friends decide to shake up their unhappy, monotonous lives with a friendly bet and set off a series of unexpected events.

Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.

Czech literature teacher Josef Tkaloun, who is past retirement age, realises one day that he no longer understands his pupils, and so he quits… dramatically. What he does not predict is that in doing this he will lose his sense of place in society.

The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.

Four friends in their best years get together to celebrate Martina's birthday in a mysterious apartment, where they meet complete strangers. At the party, they reveal their deepest desires: Dita just wants everyone to be happy, Marta is on the hunt for a man, Marie is trying to get hers back, and Stella says she's "fine". However, as the evening progresses, they all realize that what they desire above all is love and understanding. And it's time to do something about it!

Frank, a native New Yorker, inherits his ancestral estate, Castle Kostka, and returns to the Czech Republic with his daughter Maria and wife Vivien after over forty years abroad. They find the castle in gradual decay, inhabited only by the long-slumbering steward Josef, housekeeper Mrs. Tichá, and hypochondriac handyman Krása. As the staff slowly awakens from the post-revolutionary 1990s inertia, Frank’s family faces a difficult decision: sell the dilapidated property and return to America or undertake the challenge of restoring Castle Kostka.

After the premiere, the theatre group gathers in a bar to celebrate. However, the cheerful gathering is interrupted by a drunken Soviet officer. He insists on selling a can of petrol. However, when he senses the awkwardness, the hidden hatred, the cowardice, the timidity of the people there, he begins to enjoy the situation with his intrusiveness. When he takes his pistol out of its holster, things start to get crazy. The people in the bar suddenly become “freedom fighters” against the Russian occupation.

The congenial Vojta is bashful and his family is batty. His short-tempered father, who once failed to swim the English Channel, wants him to be a competing swimmer and his loving mother, a former child ice revue star, sees a talented pianist in her son. But Vojta has completely different priorities - most of all his red-haired classmate Ela, an enchanting synchronized swimmer who is leaving for Paris in November. If Vojta doesn't do something radical, and fast, Ela will disappear behind the Iron Curtain forever. The year is 1989.

A team of detectives bumbles and fumbles their way through an investigation that involves murder, blackmail and possibly someone they know.

A motley of vacationers on a bus headed for a week long vacation at a seaside resort. Among them: a single, moderately famous singer; a nerdy, onanistic man; a couple of old ladies reaching senility; a couple of young gals looking for an amorous adventure; a family with a boy unsure about where he fits sexually; a beautiful woman that, besides working as a trip guide, has pretensions of being a music composer; a couple of gay men; and another family where the parents are stuck in a sexual ice age while their twentyish daughter is looking to connect with a man.

Happily married for fifteen years, Zuzana finds out one day that her husband has been having an affair with another woman for a long time. Zuzana does not hesitate and decides to visit her daughter-in-law Lenka and make her an unconventional proposal - she suggests that she share the care of Jirka and turn him into a man for a change. Lenka finally agrees and both women introduce this new way of life to Jirka.

Frantisek Soukenický is a psychiatrist with an apparent life in order ... until the appearance of a former lover scorned. She ends her career and Frantisek ends without a job, his wife (who left him for another man) and homeless. He doesn´t have choice but to start from scratch, and know that everything that happened was his fault. Abandonment, reunions, commitment and the suffering caused certain relationships when they reach their final part of this film that combines drama with dry humor.

On New Year's Day, two boys wind up in the apartment of Katerina, a teacher from their school, along with her friends, Stepan and David. As the older trio bickers, drinks and flirts, the boys gain eye-opening insight into the adult world.

Daniel (Martin Pechlát) is a successful architect who has just completed the design of a skyscraper that will soon become a landmark of the city. When he is about to tell his wife Kateřina (Anna Polívková) the joyful news, he learns unexpected news in return. Kateřina went to the doctor, who found out that her kidneys were failing and the only long-term solution was a transplant. So to give or not to give? This is the question Daniel must solve. Will he offer his wife a kidney, which may cost him his life, or will he not offer, which may cost him marriage? And how will their friends Erik (Mira Nosek) and Diana (Barbora Seidlová), who hoped to enjoy a carefree weekend and celebrate Kateřina's birthday together, step in?

Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.

The Inspector Hynek Budik as been assigned chief of police in the area on the outskirts of Prague, With detectives Martin Novacek an inexperienced rookie and the inspector Havlik will seek to solve difficult cases of murder.

The young Maria Theresia sees her life clearly in front of her: she will marry Franz Stephan of Lorraine and start a family of many with him. Even if Franz Stephan is not quite sure of his luck and her father, Emperor Charles VI, and his powerful advisor Prince Eugene of Savoy forge quite different plans for them. It looks quite as if the young archduchess must sacrifice her happiness to the cause of the state

Standa Pekárek has three wishes in life: to drive a volga, to drive for the Humour and Folk Entertainment editorial office and to drive Got'ák. The five-part miniseries Volha is an adaptation of the novel of the same name by Karel Hynia, written in an extraordinary, bizarre and precisely echoed language. It can be perceived as a peculiar history of Czechoslovak television with a number of incredible, albeit real, "stories from the set". At the same time, however, it is a portrait of its main character - a limited egocentric who excels in inventing small tricks and deceptions - how to steal petrol, fake mileage, cheat his wife, get rid of the competition. Logically, he then also becomes a StB collaborator (with the code name Volha) who informs on all his co-workers and passengers without any remorse.

David (Jiří Macháček) has one task: to investigate paranormal cases. But he doesn't feel like it. It's the 1980s, and there are a lot of annoying people who call each other "comrade." He doesn't believe in anything paranormal anyway. He prefers to sit in his office, pretending to work on research into satanic references in Western music, and enjoys listening to LPs that no one else in the country has. The world would be beautiful, but his superior assigns him a new colleague, Vojta (Jan Cina). This overzealous newcomer talks about pushing the boundaries of human knowledge and how science doesn't have answers to all the mysteries of the world yet. This mismatched duo has no choice but to cooperate in investigating bizarre cases that all other security forces in the state can't handle. To make it harder, they are constantly monitored by a pair of StB agents – the tough agent Snížková (Anna Fialová) and the sweetheart Hora (Leoš Noha).

This time the detectives deal with the case of a murdered professor. One day a cleaning woman finds him shot to death in his own study. The detectives will thus investigate whether the murder is connected with the victim's persistent effort for the removal of the University's quaestor because of the latter's strange machinations during the reconstruction of the University building. And they'll also want to know why the murderer took the great risk involved in killing the victim on the university soil. The search for the answer to the question who could wish the death of the peculiar but honest professor will take them farther than they have expected.