Cho Saeyeon

A woman spirals into a seductive nightmare beyond her control as she navigates a troubled marriage and disorientating cultural terrain in the Korean countryside.

A young man works at the bond collection call center. He is polite, pure and sincere at a glance. On the other hand, the director of the center is not called to the head office, so she is antsy every day. And she has a daughter who is having a hard time preparing for a job.

Seonghee, who takes care of the disabled, visits Hyeonmok’s house newly assigned to her. Hyeonmok’s mom is a severely disabled person who lies unconscious all day long. Seonghee wonders how she can help.

A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.

Illustrator Jae-in works until dawn when she senses a strange energy beyond the window. She starts her day thinking nothing of it, but from the moment she discovers mould on the wall of her house, her day begins to gradually darken.

A man is tied to a chair. Two women aren't sure if he's the right one.