Max Hiller

An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.

Lilian Harvey plays a young heiress in long-ago France named Madelon who is raised by her grandfather as a boy in order to frighten away fortune hunters. But when the old man dies, her guardian Cesaire wants to marry her off to the rich prefect Barberousse. She is tricked by Cesaire with the portrait of a young man (Viktor von Staal) which is presented to her as that of her future husband. But when Madelone discovers this scheme she flees, again in men's clothing. But on her route to escape, she meets the young man from the portrait and falls in love with him. But Madelone can't give up her disguise right now...

Berlin's theatre crowd is excited about the new operetta "Frau Luna". But for the head of the city's vice police, who was invited to the dress rehearsal, the costumes for the ladies onstage are a bit too revealing. He demands the show be cancelled as offensive. The president of the Thusneldenbund has taken it upon himself to alert everyone about the growth of immorality in the capital. The theatre director Knopp has come up with an idea to convince these "fine" gentlemen to let the operetta go onstage again: He intends to win over the friendship of the moral police and then nothing will stand in the way of "Frau Luna" once more being performed.

William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.

The pleasure boat “Milwaukee” has a wide variety of guests on board: Frau Deiters, who is determined to get her daughter married off; Herr Krueger, who won a free ticket to travel onboard; Herr Dr. Bornemann, a completely introverted man, who has dedicated himself to his work; and Ms. Kathe, the ship’s photographer. On the way to Madeira, Mother Deiters quickly determines, that only Dr. Bornemann would be an appropriate match for her daughter. However, Fraulein Kathe secretly is in love with him. When the two end up in a very publicly embarrassing situation, the entire ship thinks she is the fiancée.

The film is set during the Italian Renaissance in the 14th century. Petruccio lives in Ferrara with his wife, Fiametta. Initially, he works as a scribe at the city court. Under the pseudonym Giovanni Boccaccio, he writes amorous tales that divide opinion within the city. While the women read the texts with delight, the men are outraged by their moral licentiousness.

While vacationing in Puerto Rico, a young Swedish woman falls in love with and marries a powerful local landowner. Ten years later, their marriage has turned sour; meanwhile, two Swedish doctors have arrived on the island to investigate a mysterious fever.

Based on an 1884 novel by Julius Stinde, it is a family chronicle set in late nineteenth century Berlin.

The Sweet Girl (German: Das Süße Mädel) is a 1926 German silent film directed by Manfred Noa.

Ilona, the bored wife of an easily distracted professor, falls in love with his friend Tibor, a world-traveler and ladykiller. Although she pursues him, he declines to take advantage of the situation, because she's married to his best friend. Only after her husband shows an interest in a co-worker is it possible for a happy ending to take place for the two new couples.

After completing work on the British musical Invitation to the Waltz, Lillian Harvey returned to her adopted country of Germany to star in the comedy-with-music Glueckskinder (Children of Fortune). Harvey plays Ann Garden, an unemployed actress who ends up in night court on a loitering charge. Here she meets Gil Taylor (Willy Fritsch), a struggling songwriter temporarily employed as a court reporter. Hoping to keep her out of jail, Gil impulsively tells the judge that he's engaged to Ann -- whereupon the judge, equally impulsively, marries the couple on the spot! After this inauspicious start, Ann and Gil embark upon a rocky (but tuneful) whirlwind romance.

The writer Viktor Borg is always in arrears with his manuscripts, much to the annoyance of his publisher, editor and friend Otto. Without further ado, Otto announces the arrival of Viktor’s new murder mystery, which is to appear in the “Illustrierten Woche” in installments. When Viktor attends a magician’s performance with Otto, in which a woman in a glass box disappears, Viktor comes up with the idea for the first chapter of his mystery: In his novel, the woman stays disappeared and is the victim of a crime. During the magician’s performance the next evening, the young woman, Dolly Marlow, really does disappear and things progress exactly as Viktor described in his installments.

The successful shipowner Georg Behrendsen and his wife Irene are coming from South America to Germany for business. While negotiating in the home of senator Kersten, the senator's son Wilhelm (Werner Fuetterer) is taking care of Irene Behrendsen. The two fall in love with each other and decide to marry after Irene's divorce from her husband. But the old senator forces his son to decide whether to marry Irene or to become head of the shipping company. Not to break the family tradition, Wilhelm decides against the marriage. Irene, full of hatred against the senator, goes back to her husband. 25 years later. The senator is still head of the shipping company, because Wilhelm was killed in the war. He concentrates his love now on his daughter Victoria and he can't refuse any wish of her. Some day she tells him that she has been falling in love with a young german guy from overseas called Peter Behrendsen, not knowing that he is the son of the women who hates the senator the most.

Three soldiers on very short home leave visit Berlin. One isn't from there and runs around with his guide book being perplexed by all the things that are different now. Another visits his wife and his baby. The third enters a romance due to a mistaken identity.

Mutz Hagedorn has just graduated from grammar school, much to the delight of her aunt Jenny, who cares for her like a mother. Then she learns from notary Strohbein that she has inherited the hotel “Zur Jungfrau” from her uncle, it is located on Lake Constance in Üttlisborn. On the way there, she meets the winsome Konrad on the train. Both have the same destination, only at the train station, their paths split. When she then stands before “her” hotel, she’s appalled. The “Jungfrau” is an old, dilapidated eyesore, because people with taste put up at the “Mönch”, which is owned by the Leitner family. Both families have been at odds with each other for years. Then, Mutz learns from Konrad that he as well is a Leitner and the owner of the “Mönch”. Now, she wants to be victorious, win the trial once and for all. Konrad accepts the challenge. Firstly, the “Jungfrau” is turned into a modern hotel in no time.

Despite the way her businessman husband treats her like a slave, a woman abandons a brief flirtation with a young Austrian aristocrat, to show the German traits of duty and obedience.