Björk

Prince Amleth is on the verge of becoming a man when his father is brutally murdered by his uncle, who kidnaps the boy's mother. Two decades later, Amleth is now a Viking who's on a mission to save his mother, kill his uncle and avenge his father.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.

During Paris Fashion Week, models, designers and industry hot shots gather to work, mingle, argue and try to seduce one another.

A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.

A live performance by Icelandic singer-songwriter Björk recorded at the Royal Opera House in London, England on December 16, 2001. Björk performs tracks from her fourth studio album "Vespertine" along with songs from her previous solo albums.

The film is the first of three about the misadventures of two friends, Þór and Danni. Two friends working at a restaurant get fired from their jobs and after seeing an advertisement for the fishing industry of the Westman Islands, decide to go there and make some money. The islands become a perfect setting for many funny and strange situations, especially after word gets around that the two are spies from the Ministry of Fisheries.

One day Moomintroll wakes to notice that grey dust is covering everything in the Moominvalley. He runs to ask the philosophical Muskrat if he knows what is happening, who advises him that things tend to look like this before an awful fate coming from the sky hits the Earth. With the help of his father, Moominpappa, Moomintroll and his close friends Sniff and Snufkin build a raft and head out on a challenging journey to the observatory in the Lonely Mountains hoping to find out more from the wise professors there. The friends have to overcome several adversities in order to make it there. When they arrive, they find the professors deep in calculations. They reveal that a comet will reach the Earth in four days, four hours, four minutes and 44 seconds.

Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.

When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975, they brought their country to its knees and catapulted Iceland to the forefront of today's global fight for gender equality. Unexpectedly funny, laced with evocative animation and powerfully told by the women who lived it – this is the true story of 12 hours that launched a revolution.

There once was a girl named Anna Young. One day, her family is waiting for their perfect daughter to arrive at the breakfast table and kiss them good morning as always. But this morning Anna wakes up with a horrible illness. She looks like a sad version of Marilyn Manson and is terribly moody. Not realizing what is “wrong” with their daughter, Anna’s parents decide to take her to Dr. Artmanns’ clinic for kids with behavioural problems. In his analysis of Anna, Dr. Artmann uses a huge labyrinth where Anna is exposed to various tasks. The only way out of the maze for Anna is to complete her tasks in the right manners. But the right way is not necessarily what the parents think to be the right one.

Much of life on Earth is connected by a vast, hidden network that we are only just beginning to understand. Out of sight, between the world of plants and animals, another world exists—the kingdom of fungi.

Leave it to Björk to make a concert release that can be treated as part of her regular body of work rather than a side note. While Björk fans have occasionally complained about the amount of repackaging of her albums, Voltaic reaffirms just how important the live aspect is to her music, and provides a couple of different perspectives on it as well. Volta sparked a particularly inspired and lavish tour that, arguably, ended up being bigger than the actual album was, but tapped into the most dramatic, primal, and elegant aspects of Björk's art overall. It's fitting, then, that the chronicles of the Volta tour are just as thoughtfully crafted as the shows were.

A visually spectacular landscape of lush colours, futuristic screens and wild images of nature that comes alive with Björk's wondrous music, as she performs live alongside musicians and choirs of flutes and voices.

Björk is crouched in a womb-like Icelandic cave, throwing her body against the stones that surround her. Slowly, she starts dancing triumphantly through corridors of black volcanic rock. This MoMA-commissioned film was directed by visual guru Andrew Thomas Huang and filmed over three days in Björk’s native Iceland. In the film, her intimate, one-on-one performance embodies the grueling post-heartbreak healing process, augmented by Huang’s stunning VFX.

From a mind unlike any other, Biophilia Live chronicles the multidimensional concert centered on the eighth studio album of avant-garde Icelandic artist Björk. Nick Fenton and Peter Strickland, unique voices in their own right, film Björk live in performance and punctuate her music with evocative animation and science and nature footage. The infinitely creative journey presents a culmination of work that represents one of the most original musical endeavors of a generation.

Björk will be performing 4 special matinee performances in association with Iceland Airwaves, which will be live-streamed online and raise money for domestic women’s charities worldwide. The performances will act as a celebration of the Icelandic musicians that Björk has worked with over the years, with each concert finding the artist collaborate with over 100 Icelandic musicians, across three groups that have played a part within the creation of her discography. Each concert will have different songs, Björk’s instrumental arrangements played by members of the Icelandic Symphony Orchestra, flute septet Viibra, Hamrahlíð Choir, and special guests without electronics or beats. The concerts will also be raising money and awareness for Kvennaathvarfið – a charity that supports women and immigrants of different origin within Iceland.

A psychological study in the form of a film. An emotionally deeply rooted, yet mentally terrorizing relationship between an empath and a sociopath, serves as a microcosmic example to analyze the inexplicable phenomenon of aeons: LOVE.

At the inaugural Tibetan Freedom Concert in San Francisco in June 1996, a landmark event co-organized by the Beastie Boys to support Tibetan human rights Björk was one of the major performers. She went on to perform Army of Me, Human Behaviour, Venus as a Boy, Hyperballad, Enjoy, Violently Happy.

Live concert footage of The Sugarcubes from 1988 and 1989, mixed with short interview segments.

The film concerns the theme of self-imposed limitation and continues Matthew Barney's interest in religious rite, this time focusing on Shinto.

Björk performs live in Japan apart of the Vespertine tour with the Tokyo Philharmonic Orchestra

Maria is somewhat of a rebel and problem child. Her mother died and her father remarried some awful lady, and Maria isn't happy at all. She takes a drug overdose and winds up in a home for other girls with problems, but the two women who run the place turn out to be not quite the ladies they seemed. Maria knows she can't stay there very long, and starts planning her escape.

The likes of Antoine de Caunes, Jean Paul Gaultier, Davina McCall, and Lolo Ferrari are your guides to the weird and wonderful in Europe and beyond. How else would you learn about pubic hairdressers, the Penis Olympics, or the latest Japanese sex toys?

The Word was a 1990s Channel 4 television programme in the United Kingdom. The show pushed forward the boundaries of youth TV, always coming close to going too far.