René van 't Hof

A low-class antisocial family ends up in a rich upper-class neighborhood and causes all sorts of trouble.

The mayor of Sunny Dale see a chance to get rid of the Flodder family: They send the asocial bunch for an international exchange to New York. There they get confused with a Russian delegation of medical doctors while the street worker Werner who accompanies them becomes imprisoned.

Sisters Anna and Charlotte have always fought for their mother’s attention. As old wounds reopen and suck them back to their family home, they unravel mesmerizing mysteries, including anonymous ashes and their mother’s love for a donkey. Will they come to terms with each other?

Two guys are having their first date, but end up in a hostage situation. A terrible predicament for a first meeting, but a perfect way to get to know each other.

Tuur and Lambert are best friends. But the war is closing in and is about to change their lives forever. Tuurs dad joined the resistance and even his big brother seems so be part of it. Lamberts family on the other hand choose to obey the Germans. Then a new girls from the city shows up, befriending the boys but telling her secret to only one of them. A choice that separates the boys and ultimately gets her in trouble.

Edgar works as a waiter in 'Het Westen', a restaurant. He is married and has a lover. His neighbors terrorize him with loud music and garbage. One day after he is mistreated by some customers he is sick of it all and goes to talk to his creator, the scenario writer.

Don, a rich twelve-year-old, is kicked out of school. He is send to another school where he has difficulties fitting in.

Rik and his dad Paul are bullied by the kids in their neighbourhood. Rik wishes his dad would be tougher. Inspired by a mafia movie he saw on TV, Rik fantasizes about being the son of a mafia boss. Everybody would show him respect. So when his dad is promoted and they move to a new town, Rik decides to tell everybody his dad really is a Mafia boss - but what happens when his lies turn against him?

Freek de Jonge intends to stage one last magnificent show, to once again draw in the crowd. The performance of his life, in which he confronts various painful events, descending to the depths of his soul. This way he hopes to rekindle the drive of thirty years ago: has he done things right, will he be able to make up for the times he failed as a man and as an artist?

A lonely widower finds himself facing both his devout Calvinist village community and his own deepest regrets when he takes a deranged vagrant into his home.

Peter is a cheerful -- but not very obedient -- boy from a very ordinary family in pre-war Rotterdam. His many pranks amuse some and cause a lot of trouble to others, even making the front pages of the big city newspapers. His growing popularity brings him many new friends, but also some very powerful enemies.

Felix never has any luck with relationships. To prove things he announces his engagement to model Donna, whom he only knows of a picture. After a relationship with Esther strands, he meets the mother of Donna by coincidence.

In a smudgy hotel, guests and staff have a run in with fate.

Ronald Plasmeyer (Ruben Van Der Meer) is a small-time Amsterdam detective, struggling with financial problems because of his gambling habit. When the Chinese crime boss Hao threatens Ronald's ex-wife and son to get his money back, Ronald comes up with a plan that will solve all his problems. Ronald enlists two petty criminals (Ton Kas and René Van 't Hof) to rob an illegal poker tournament he's taking part in, providing him with a perfect alibi. Quick, simple and non-violent; the plan is foolproof... until people start getting killed. Soon, Ronald's partners take off with the money, leaving him empty handed. To make matters worse Ronald's colleagues in the police force begin to suspect him of the robbery, setting the stage for a nerve-racking game of cat and mouse. Ronald is all-in... holding the worst hand of his life.

All the members of the De Roover family have ended up at a point of no return in their lives where crucial choices have to be made. Winnie wants a child. Her husband Rutmer wants to get in touch with his feelings. His brother Charlie doesn't want any responsibilities. Their brother-in-law Dick wants his deceased wife back. Head of the family Arend wants to be happy. Mother Jeannette wants somebody to want her. Written by Topkapi Films

Third part of a triptych by filmmaker Kees Hin about the late Frans van de Staak.

A romantic comedy told with a set of interwoven Christmas tales about life, love, forgiveness and caring. A heroic vagrant becomes a TV sensation Santa Claws, while a prince takes a menial job at a department store to woo his sweetheart.

A film about our relationship to the other and the patterns we develop within these relationships. Rituals we use to shape our lives, or patterns we get stuck in and lead to stagnation. The film is located in a second-hand store. A place full of objects; bits of life left behind by their owners. During the night we discover fragments of stories that could have been lived by all of us.

Erik is a Dutch ten year-old schoolboy who is studying insects at school, and gets shown and explained a bit about them by his kind and knowledgeable nature-loving grandfather, whose country estate is a good place to do so and turns out to have a book on insects, which allows Erik to pass for one night, rather like Alice in Wonderland, as a miniature man among thus giant-looking, talking insects, who discuss their and other species and their lives with him, mainly winged ones, such as bee, fly and wasp.

Peter Bell and his Black Hand gang tangle with evil newspaper tycoon Stark once again, as the latter schemes to steal a priceless royal crown with his two cronies.

n the late 90's Amsterdam-based writer Gerard F. Zwaen becomes entangled in a plot involving a drugs trafficker, a dodgy tax inspector and an internal affairs agent.

The father of the seventeen-year-old Katinka is a huge fan of the Dutch comedian Hans Teeuwen. The small house of the Vermeulen family breathes him: the TV blares Hans Teeuwen shows all day long, there are posters everywhere and numerous CDs and DVDs swing through the room. The Teeuwen Excess leads to fears and delusions in Katinka. She gets nightmares in which Hans Teeuwen reveals himself to her: she hears his voice regularly and she thinks she sees him appear now and then. Katinka tells her psychiatrist about her nightmare that Hans Teeuwen rapes her teddy bear while calling out her name. The psychiatrist advises her to meet Teeuwen in real life, because in this way she may be able to adjust the image she has created herself.

Kos (13) is going through the most bizarre period in his life. His mother died a few years ago and his dad is having a heart attack. While Kos’ father is in the hospital, it looks like the hotel he is running will be a big mess. But Kos and his three sisters do not intend to let that happen. After the siblings find out that father is deep in financial problems, the hotel is threatened with closure. The children however come up with a solution: someone has to win the local beauty pageant, with a hefty cash prize attached.

Late 16th century, persecuted protestantism and general dissatisfaction with the Catholic Habsburg rule in the Netherlands lead to large-scale plundering and vandalizing of churches, only harshening the Spanish Inquisition, sparkling the Eighty Years War.

When it comes to their children's amateur football careers, this group of parents has no shame, no chill — and a peculiar sense of team spirit.

We follow the destructive life of 37-year-old Cat. People around her are worried. Cat is not. Due to a great loss within the family, which is largely not talked about, there is barely a sense of family left. Her mother IS a panic attack. Her father writes self-help books.

Multilul is a satirical take on the advertising and media world by the Dutch absurdist comedy show Jiskefet. It aired in late 1998 on the VPRO network. It follows the staff of a pretentious marketing agency (Creative Advertising, Media and Communication Consultant Agency) as they brainstorm absurd campaigns. The series mocks corporate jargon, pseudo-creative processes, and industry narcissism.