Tina Younestabaar

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.

"Alrighty, then ... picture this if you will. 10 to 2 AM, X, Yogi DMT, and a box of Krispy Kremes, in my "need to know" pose, just outside of Area 51 Contemplating the whole "chosen people" thingy when a flaming stealth banana split the sky like one would hope but never really expect to see in a place like this. Cutting right angle donuts on a dime and stopping right at my Birkenstocks, and me yelping.. Like I woke up in Wonderland, all sort of terrifying And can anyone tell me why you all sound like Peanuts parents? Will I ever be coming down?" The filming itself was essentially a visual improvisation, an exploratory performance by Tina YounesTabar in 1402 (2023). It was captured through images taken during dawn, at a time when a Banana was splitting the sky in two. In the editing process, these fragments were woven together to become the film you see today.

It was daylight when you woke up in your ditch You looked up at your sky then That made blue be your color,

On a cloudy afternoon, four men in modern clothing drag Joan of Arc across a field toward her place of execution.