Mariola Olejniczak

In a small village, in a modest cottage, lived a mother with her three sons. Each of them was different. The eldest stood out for his strength and beauty, the middle one for his knowledge, and the youngest for his love of nature. Everyone made fun of the youngest. Once, they sent Jędrek to a nearby forest called the Black Forest. There, the young man met a dangerous sorcerer who was holding a beautiful princess captive on Glass Mountain. Upon returning home, Jędrek shared this news with his loved ones. The brothers decided to defeat the evil sorcerer and free the princess, but each of them had a different goal in mind.

The film Survival offers a grotesque critique of homelessness and environmental decay through a unique blend of live-action and diverse animation techniques, including pixilation and 3D. As an auteur project, it integrates these styles seamlessly to create a striking artistic vision. Its scenography embraces upcycling or "trash art," echoing Marcel Duchamp’s legacy of elevating banal objects into profound art. By incorporating street art and graffiti, the film sparks dialogue about art’s role in society. This innovative approach transforms waste into priceless commentary, challenging viewers to reconsider their surroundings and the nature of creativity itself.

A film miniature to classical music by Fryderyk Chopin, Mazurka in A minor, Op. 17, No. 4, arranged and performed by Arnold Dąbrowski. A sentimental, romantic, and lyrical " journey " through Polish landscapes, like a memory recalled from somewhere beyond the fog. The image is in sepia. This subtle hue of an old photograph is only occasionally interrupted by a sudden burst of color, an intensified lushness of green, or a stronger accent of spot and line. The delicate horizon line evokes a graphic space of colorful checkerboard fields and meadows. We follow a leaf carried by the wind to admire the effect its shadow creates on the water. A sudden gust sends thousands of dandelions high into the air, creating a graphic procession that freezes for a moment, and just as suddenly as it appeared, it disappears. In its place, a butterfly swoops in. It enchants with a play of colors, shapes, and the shapes of its wings.

Lutek works at Skibka's bakery. One day, Skibka sees Lutek giving Emilka, a homeless girl, a roll. Enraged, he throws Lutek onto the street. Emilka and Lutek meet Mr. Franciszek, a Warsaw cab driver. Mr. Franciszek tells the children about a lake in the basement of the castle on Ordynacka Street, where the Golden Duck floats. He gives anyone who sees her there at midnight a bag of gold ducats. Lutek decides to go to the castle...

Film from the series Polish Tales and Fables, season 1 (based on the legend of Wielkopolska 'O Macieku Borkowicu i diable Boruta'). A certain mayor leads a life of debauchery and plunder. He makes his own rules within his own territory. He feels only respect for Wojtek, a member of the Blacksmith family, who helps everyone, advises everyone, and, most importantly, imprisons the local devils, imps, and imps of all kinds in a willow tree. The mayor avoids encounters with the blacksmith as much as possible. Since he's constantly short on gold, he makes a pact with the devil Boruta. However, he reneges on the terms of the agreement, and the devil seeks the blacksmith's help. Together, they concoct a ruse. The mayor is thrown into prison. The blacksmith frees all the devils—on the condition, of course, that they never return to the area.

A story showing that the devil is not as black as he is painted.