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The wizard Prospero collects honey from wild bees. He is accompanied by Fantazy Bear, Julka, Zagadka, the Happy Beetle, and Kapa-Kapa the Frog. In the grotto, the wizard makes candles from wax combs, while Julka and Zagadka prepare wax for pouring and fortune-telling. While everyone is busy guessing the shadows cast on the wall, the Owl sneaks into the grotto and steals the Owl's cube. At the request of his friends, Zagadka tells the extraordinary story of his magic cube. The friends set out for the Petrified Tree to retrieve the cube from the Owl. Fantazy Bear sneaks into the Owl's tree hollow and manages to convince him to give up the cube. In the Owl's hands, the cube regains its extraordinary power. Episode 11 from the Fantazy Teddy Bear series.

A long, long time ago, or perhaps not so long ago… Beyond the mountains, beyond the forests, or perhaps somewhere nearby… in a village not far from a large city, a widower, Jakub the Lumberjack, lives with his daughter, Dorotka. Dorotka is a good and hard-working girl, so her father often calls her his treasure. Word of "Jakub's treasure," passed from mouth to mouth, turns into gossip and reaches the ears of the greedy townswoman Brunhilda. A treasure is a treasure, surely buried somewhere; it must be acquired, Brunhilda thinks, and under the pretext of taking care of the house and Dorotka, she quickly arranges a wedding. Her cunning plan is foiled by a rooster with a golden feather, which Dorotka brings from the market… Episode from the series Polish Fairy Tales and Fables.

'Dies Irae' from Wolfgang Amadeus Mozart's Requiem. This is a fully original film impression, realized using the technique of painting animation performed directly under the camera (each frame will be painted with oil paints on stretcher bars). The film's script is inspired by the Apocalypse of St. John from the New Testament. Jasińska creates an impressionistic story around the vision of the four horses and riders of the Apocalypse.

An animated film for children, created using the technique of painted animation. It was created to commemorate the 200th anniversary of Hans Christian Andersen's birth.

A film impression set to classical music, with a narrative layer inspired by the vocal performance of Fryderyk Chopin's Ballade in F minor, Op. 52 , by the Novi Singers. The starting point is the separateness, the loneliness, of the bodies, souls, thoughts, and feelings of a woman and a man. In the empty space of the frame, day dawns, and the light moves toward the west. Dusk falls, then night, then day again. The dark silhouette of a man appears. He looks for something at the other end of the road. He waits. As night falls, he disappears, and the white silhouette of a woman appears. She, too, waits, looks for it. The night passes, another day dawns. When they finally wait patiently longer than usual, they see each other for the first time. It's an extraordinary moment, the magic of love's birth. After the rapture of love, it's time for life...

Joanna Jasińska's first film, animated in loose matter (monochrome salt) directly under the camera. A black-and-white etude, imitating graphic art, depicting the fascination with the exuberant rush of a herd of horses. A child (a girl) rides one of the galloping horses. At one point, the horse transforms into a horse-like figure from a music box. Departure reveals a sleeping figure on a table next to the music box. The figure smiles in his sleep, holding a sheaf of the galloping steed's mane in his hand.

Ber, an alcoholic aspiring to become a veterinarian, and Dr. Howl, a cynical professor posthumously reincarnated in the body of a dog, become entangled in dark mysteries that they must solve.

The girl-muse cuts her hair and braids it into cello strings. She begins playing, and a melody emerges from the chaos of sounds. Flames flow from beneath the girl's fingers, forming a wall of flame behind her. The girl transforms into a butterfly, taking on the color of fire, and flies away into another world, to the moors. Short film animated in loose matter (colored salt) directly under the camera.

Original animated film for children from the series "Paint Me a Fairy Tale...", created using the technique of painting animation with oil paints on canvas directly under the camera. Ole Śpijsłodko is the third film in the series and the first adaptation of this Andersen fairy tale, similar to the earlier films Len (2005) and It's Quite True! (2014). A magical journey into the land of dreams and imagination. It attempts to tame the phenomenon of dreams and the childhood (and not only) fear of night and death. When Hjalmar falls asleep, Ole Śpijsłodko descends from the moon and invites Hjalmar on a journey through dreams. He transforms his room into a forest where Hjalmar's books and notebooks soar like birds. Another time, Ole summons a swallow, which takes Hjalmar on a soaring journey to the clouds, only to fly to the moon at night. One day, Ole meets Hjalmar with his brother, who visits everyone only once...

A peasant girl, Milenka, grows a potted plant from which, thanks to a kiss, her fiancé "grows." The film takes Milenka on a journey through the air. The animals on the ground, seeing the flying pair, rejoice and dance. However, at some point, Milenka awakens and discovers that everything is just a dream. The girl, overcome with sadness, fails to notice that a plant is growing in the pot behind her...

Once upon a time, or perhaps not so long ago… beyond the mountains, beyond the forests, or perhaps somewhere nearby… in the well-known city of Krakow, dogs, cats, mice, and even humans live in great friendship. Until one day, thanks to the dog Thug and the cat Gryzelda, an unwritten law is broken, concerning who gets what if they fall from a stall onto the ground. And so a code is written, intended to apply to everyone. However, everyone soon interprets the code to their own advantage, until everyone ends up arguing with everyone else… a story about how breaking the law for personal gain always leads to chaos and deep divisions, and how the old saying "living together like cats and dogs" didn't just come from nowhere…

Original animated film for children from the series Paint me a fairy tale… , made in the technique of painting animation with oil paints on canvas directly under the camera. It's Quite True! is the second film in the series and the first screen adaptation of this Andersen fairy tale, similarly to the previously made film Len (2005).

A story about how grace, modesty, unpretentiousness, and an affirmation of life lead to happiness, based on the fairy tale by Maria Krüger of the same title.

A series of original animated films for children, based on adaptations of Hans Christian Andersen's fairy tales, which combines an artistic style of execution - animation on canvas with oil paints directly under the camera of Joanna Jasińska-Koronkiewicz. The cycle consists of four selected fairy tales: To pewna wiadomość, Ty wiesz najlepiej, Ole Śpijsłodko, Kwiaty małej Idy. Namaluj mi bajkę… (Paint Me A Fairy Tale...) is the pilot episode of the series.

The story of a girl gifted with the ability to escape into the world of her imagination. One day, her imagination becomes so powerful that it spills over into reality.