Théophile Gautier

A ruined Baron Philippe de baron, meets one day a troupe of traveling actors led by Herod. Attracted by the one who plays the role of the ingenue: Isabella, and by the dynamism and enthusiasm of his companions, he takes the place of the deceased poet of the troupe. And during performances, Philippe became the captain Sunder. For his part, Isabelle loves Philip, but does not consider marriage, nobility him missing, she refuses to harm the career of Baron. And one day, the Duke of Vallombrosa, seduced by Isabella, finds himself challenged to a duel by Philippe for touching the girl. Defeated, he launched his men against Sunder, then removes Isabelle. The actors throw themselves then to storm the castle where she is being held. This time Vallombrosa was seriously injured, and the duke's own father, rushed to the scene, Isabelle discovers the girl he had once been an actress. Nothing stands now the union of Sunder and Isabella, under the tender gaze of the actors Herod and Scapin.

In the French countryside, circa the 17th-century, Serafina, Pulcinella and Isabella are three lusty, beautiful members of a travelling theatrical troupe, leaving in their wake a crop of broken hearts.

Out of love for an actress, Isabelle, the Baron de Sigognac joins a traveling troop en route to Paris. When an actor dies, he takes over his role: that of Captain Fracasse.

Magicians transfers two peoples' souls (or whatever you want to call them) into each other's bodies.

A down-on-his-luck architect and his handsome, successful colleague married to the woman they both love, drink a potion given to the former by a black sorcerer, and become each other.

Count Olgierd Łabiński lives in Paris with his beloved wife, but their quiet life is disturbed by the arrival of Octavius de Saville, a former admirer of the Countess from her days in Florence. Obsessed with possessing her, Octavius seeks out Dr. Cherbonneau, a sinister figure dabbling in Eastern teachings of reincarnation. Through the doctor’s occult science, Octavius attempts a dangerous “exchange of souls,” scheming to inhabit the Count’s body and win the woman he desires.

Mademoiselle de Maupin escapes from her uncle's castle, invaded by Hungarian troops, under the guise of a clergyman named Theodore. An army recruiter forces Theodore to enlist in the King's army, and not even the religious robe is an insurance against it. Theodore is assigned to be aide-de-camp to Alcibiade, a man as virile in combat, as he seems troubled for the figure of his aid. D'Albert, an aristocrat, will expose Theodore's true sex, and after a number of confusing, comedy situations, Alcibiade will appease his troubled feelings.

Giselle(s) revisits the classic Giselle through the lens of violence against women, giving the famous 1841 ballet a contemporary social and political dimension.