Bianca Foscht

In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with and her first love, who died young and has waited decades for her to arrive.

In a post-apocalyptic world, humans and demons co-exist, but a supernatural force makes them question their reality.

After their father's death two sisters reunite at their childhood home to uncover forgotten secrets and rip open old wounds.

Inspired by the real 2019 Northern British Columbia manhunt when two teenage boys from Vancouver Island murdered three strangers and fled north through ghost towns and endless forest. Their flight, live-tracked across social media and news feeds, unfolded like a fever dream of the digital age: an openworld simulation of fear and fascination. Weeks later, their bodies were found by a river, the chase ending as abruptly as it began.

A coping artist suffers an episode of trauma through a series of painful nostalgia.

A substitute teacher tries to control a rambunctious grade 12 class.

Two years after her TIFF breakout in Tracey Deer’s Beans, Kiawentiio gives an equally remarkable performance in Asia Youngman’s energetic youth drama as an Indigenous teen facing both peer pressure and deeper secrets in smalltown BC.

A trio of women on route to a concert whose car breaks down find themselves at a junkyard plagued with a witch problem.