Hans Rivera

An aged beautician longing for confidence joins a beauty pageant.

Two brothers' sporadic visits to their death-ridden mother becomes the long-lost road to their unending love for each other.

Longing for love and the promise of a better life, a grandmother finds herself swept into an unexpected online romance that challenges her sense of worth, family, and the dreams she refuses to let go of.

Two girls, both desperate to be understood, navigate the push and pull of a single night after one of them overdoses on antipsychotics. They spend the entire night filling their conversations with negotiations between life and death, between memory and oblivion.

Mga Tala sa Kagandahan (Notes on Beauty) follows a filmmaking and theatre workshop for genderqueer kids (in swardspeak, baby bakla) in a Sitio in the City Antipolo, Rizal - a known pilgrimage site east of Manila. Its assertion: the right to our own representation, in front of and behind the camera. The footage, majority of which are shot by the kids, are a mixture of moments of learning and play times, that hopes to show the kids' view of the world in their first takes.

Two brothers hope to find the sea creature who killed their mother.

A filmmaker roams around to film the lives of people during the longest day of the year.