Douglass Dumbrille

Acting

Douglass Dumbrille

Born October 12, 1889 · Hamilton, Canada

Died April 2, 1974 · aged 84

From Wikipedia, the free encyclopedia Douglass Rupert Dumbrille (October 13, 1889 – April 2, 1974) was a Canadian actor and one of the Canadian pioneers in early Hollywood. In 1913, the East Coast film industry was flourishing and that year he appeared in the film What Eighty Million Women Want, but it would be another 11 years before he appeared on screen again. In 1924, he made his Broadway d…

Known For

The Ten CommandmentsThe Ten Commandments · 1956
The Ten Commandments
7.81956
MovieDramaHistory
Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.
Julius CaesarJulius Caesar · 1953
Julius Caesar
7.11953
MovieDramaHistory
The growing ambition of Julius Caesar is a source of major concern to his close friend Brutus. Cassius persuades him to participate in his plot to assassinate Caesar but both have sorely underestimated Mark Antony.
Baby FaceBaby Face · 1933
Baby Face
7.21933
MovieDrama
A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.
ScaramoucheScaramouche · 1952
Scaramouche
7.01952
MovieAdventureRomance
In 18th-century France, a young man masquerades as an actor to avenge his friend's murder.
Mr. Deeds Goes to TownMr. Deeds Goes to Town · 1936
Mr. Deeds Goes to Town
7.51936
MovieComedyDrama
Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.
A Day at the RacesA Day at the Races · 1937
A Day at the Races
7.11937
MovieComedyMusic
Doctor Hugo Hackenbush, Tony, and Stuffy try and save Judy's sanitarium by winning a big race with a finicky horse owned by Judy's boyfriend Gil. There are a few problems. Hackenbush, who was recently put in charge of the sanitarium, isn't really a doctor, he's a veterinarian.
Treasure IslandTreasure Island · 1934
Treasure Island
6.51934
MovieAdventureFamily
In this early film adaptation of the classic novel by Robert Louis Stevenson, young Jim Hawkins is caught up with the pirate Long John Silver in search of buccaneer Captain Flint's buried treasure.
Johnny CoolJohnny Cool · 1963
Johnny Cool
5.31963
MovieCrimeDrama
A deported gangster trains an Italian convict to take over his operations in the U.S.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.
The Many Loves of Dobie GillisThe Many Loves of Dobie Gillis · 1959
The Many Loves of Dobie Gillis
6.31959
SeriesComedy
The Many Loves of Dobie Gillis is an American sitcom that aired on CBS from 1959 to 1963. The series and several episode scripts were adapted from a 1951 collection of short stories of the same name, written by Max Shulman, who had also written a feature film adaptation of his short stories for MGM in 1953, The Affairs of Dobie Gillis. The series revolved around the life of teenager/young adult Dobie Gillis, who, along with his best friend, beatnik Maynard G. Krebs, struggles against the forces of his life - high school, the military, college, and his parents - as he aspires to attain both wealth and dates with girls. The Many Loves of Dobie Gillis was produced by Martin Manulis Productions in association with 20th Century Fox Television. Creator Shulman also wrote the theme song in collaboration with Lionel Newman.
Cavalcade of AmericaCavalcade of America · 1952
Cavalcade of America
4.61952
SeriesDrama
Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

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