Keiji Aoyama

A moving story depicting the spirit of a young marathon runner who set a new world record in Boston, encouraged by the love of his family, a young woman’s prayers, and warm friendship.

An elderly woman, Ume Matsumoto, informed the First Investigation Department that her son Hirasaka, who runs a shoe store, had disappeared. The detectives had a bad feeling which hit the mark, an unidentified drowned body is identified as Hirasaka. Some prime real estate he owned was also mysteriously sold. Suspecting that this is a planned murder and fearing the escape of the criminal, the Department begins to investigate secretly, without creating an investigation headquarters.

A kind-hearted medical student, an ill-fated young woman, an innocent young lady in a school uniform, and a medical student whose rational beauty conceals her true feelings… The stories of love and friendship that unfold in a poor town shrouded in fog.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

Reiko Minagawa leaves her home in Okayama to avoid an arranged marriage she doesn't want. Upon arriving in Tokyo, she calls Akira Isomura, a college student for whom she has feelings. Isomura is pleasantly surprised by her call, and promises to meet her at the train station entrance in about ten minutes. However, unaware that there are two entrances, the two of them spend hours waiting at different gates and are ultimately unable to meet.

A traditional bar mistress in Kyoto clashes with her Tokyo rival.