Joshua Cruz Arellano

Solazo is set in a future in which solar radiation has become harmful. Humanity has managed to adapt, however Lucas is torn between the attraction and repulsion that the sun causes him, while he takes care of a plant.

Dolores is a woman in her thirties who lives with Tristán, her husband who behaves like a dog. One day, Dolores prepares to go on a date with another man, leaving Tristan alone. Both question the affection they feel and reflect on their loneliness and the dependence they have on each other.

On the day of her audition, a dance student confronts the materialisation of her own reflection, a presence that disrupts her preparation and puts her performance at risk.

A young man feels uncomfortable with his boyfriend and returns to his apartment to masturbate, but something continues to affect his mood.

Hector is a man of the third age with serious problems of memory, the small homemade tasks of the daily life will be complicated as the day passes.

Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.

Crawlies is a soliloquy based on voice recordings of my schizophrenic uncle. An audiovisual exercise of mise en abyme that weaves a patchwork of memories from my childhood, of madness and desire.

Jaime, a nostalgic old man, gets a device that can make him relive his memories, which he uses to see the last Christmas he lived with his family in 1995. This will show him that all memories have a price.

In a post-zombie apocalyptic Mexico, Gabriela wanders around Mexico City with only one goal: to find her missing boyfriend.

One night, when returning home, an accident occurs on the subway and it stops providing service. On Natalia's path, she will meet characters and situations that will move her in an unexpected direction.

Emmanuel receives the news that his father won't be able to pick him up after school, so he must return to the taxi that his mother requested. However, not realizing it, he gets into the wrong car, which leads him to put his life in danger. He manages to escape from the fake driver and when he gets home he reflects on his own life and his faith in religion.

Pun-Pun, Pato, and Alvi ran away together. Their memories capture a youth full of dreams, fears, pain, and little bunnies.

Documentary essay based on portraits of five women, their different ways of living motherhood, challenges and particularities.

Jacinta lives with her mother Alma, who has now brought grandmother Soledad home, to look after her, as she's had a cerebral stroke. Jacinta lives Soledad's presence as an invasion of her intimacy, and feels jealous of the attention Alma pays to her grandma, leaving Alma more and more worn-out.

To understand the way they are feeling and why, Eva and Den converse about their ended relationship by going through the most important memories that were shared in the past. Through this remembrance, the memories’ capacity to be complete begins to be questioned as well as the love that was shared in the past.

A tourist arrives in Mexico City ready to consume it out of control. The protagonist's photographic delirium leads him to the most bizarre situations in his desire to get souvenirs.

Through an AI-driven reinterpretation of Mexican Revolution footage captured by the country's cinema pioneers, this documentary offers a fresh look at a pivotal historical moment. It traces the movement's rise, peak, and fall, the birth of a new nation, and invites us to question the narratives that have shaped our identity and the present we inhabit.

In a dreamlike wandering, the city becomes a constant rendezvous. In the hustle and bustle of strange streets, the protagonists face disillusionment and life’s obstacles that make them believe that their desire for freedom is only possible in dreams.