Ning Chan

A transgender woman from mainland China travels to Hong Kong with a single, urgent goal: to undergo gender-affirming surgery. Moving through the city in a state of emotional suspension, she navigates temporary lodging, medical bureaucracy, and fleeting encounters with strangers who alternately offer intimacy, indifference, or quiet solidarity. As the date of the operation approaches, her journey becomes less about the procedure itself than about the weight of expectation, fear, and self-recognition.

Kam Muiday (Elaine JIN) has long been asking her granddaughter Sunnie Lam (CHUNG Suet Ying) to buy the same set of lucky numbers in each Mark Six lottery ticket for years. However, fate played a cruel trick. During the Lunar New Year’s "Snowball Draws", Sunnie was unable to place the bet, and that set of lucky numbers won a jackpot of HK$ 88.88 million. Not wanting to shatter grandmother's dream, Sunnie borrowed a villa from her filming colleague Jay Lai (Edan LUI), claiming that it was purchased with the winnings. Sunnie's father, Ken Lam (Jiro LEE), mother Charlotte Tong (Harriet YEUNG), and younger brother Harry Lam (LI Hoi Lam Marek), moved into the villa with her grandmother. Living together under one roof gradually healed their once-distant relationships and brought them closer. However, an unexpected incident ultimately revealed this well-intentioned "villa lie"...

On the night before Yuet's wedding, best friends Nam and Yuet recall their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love.

“Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him.” Inside an after-hours bowling alley, a counselling session is underway with the attendances discussing the various merits and drawbacks of execution strategies and the prevention of occupational hazards. A man offers to play the flute and all hell breaks loose from there. The weapon is a folded chair, the victims his fellow professionals and the crime is predestined by karma. As the camera lingers on the gory actions, set to offbeat music and at times muted and occurring out-of-frame, a foreboding, dark and somewhat sinister overtone hangs heavy in the air. In a profession such as his, life is predestined by karma and choice is not an option.

The night when Ling almost get killed leaves her with the supernatural power – the power to witness the counting down of every single life around her, from years, days, minutes to the last second. Betrayed by friends, emotionally abandoned by blood-tied mother, she at the same time realises that there is only two days left for her. Ling decides to wait for her last moment alone on the rooftop where she encounters a man who attempts to kill himself. A series of happenings teaches Ling on life, friendship and death, a lesson which may be a little bit too late to learn.

Fong Hang and the witch first met in 1947 after WW II. She gave him a candy, and then he fell in love with her. In 1967, they went their separate ways, but still promised to meet each other every 10 years. The witch didn't grow old. She always looked like 20 when they met. But time was cruel to Fong Hang, He had suffered from losses and finally understood the pain of the witch’s immortality in 1997. In 2007, when the Queen’s Pier was taken down, the witch met Hang’s son, but he didn’t like the taste of the candy at all. An era had finally came to an end.

It all begins with an affair staged at a traditional Chinese funeral offerings store with the leading actress being the boss’s wife. Witnessed by an unidentified pair of eyes, the affair is followed by the sudden death of the boss caused by a bowl of soybean pudding. He is desperate to know the truth about the affair in his afterlife. Eventually he is brought back to the piece of memory that entangles among two boys and a girl, on fighting for their pride through a slingshot battle against the boss of students.

If a goddess has come down to earth, could she bring back lost time for man? Ning takes a substitute teaching position at a rural school, hoping to find inspiration for her novel from nature. One day after class, students Richard and LAM Mak-noeng, a mysteriously masked girl who shares the same name as the Empress of Heaven, come to her for help. It turns out that Mak-noeng is about to disappear. Faced with such an ethereal problem, Ning takes on the responsibility of a storyteller and seeks a happy ending for this heavenly romance. The director, who has always been interested in urban issues, has continued to mix historical and fantastical elements like he has done with Interview with Lo-Ting: An Oral History Project (2022). A modern love story with celestial inspiration, the film gently caresses the remnants of our city and the melancholy of lonely souls.