Arta Ģiga

The inspiring journey of Estonian track bicycle racer Erika Salumäe, as she navigates the pressures of fame, personal sacrifice, and national pride, redefining resilience in the pursuit of her Olympic dreams.

A portrait of a post-Soviet country in Eastern Europe whose society is torn apart by the struggle to accept the Gay Pride Parade tradition. The unearthing of Pride in Riga from 2005 to 2010 shows the different perceptions of the concept of democracy in the 21st century.

A young woman in Stalin-era Riga joins a basketball team, hoping that she will be allowed to travel abroad and see her brother who's living in exile.

For years, Russia has been trying to rebuild its empire. The hybrid war doctrine introduced by Putin in 2013 assumes attacking Western countries without declaring war. The invasion of Ukraine made us lose our sense of security. A pair of documentary filmmakers from Poland set off on a journey to look for answers to the question about the threats that may face Central and Eastern Europe.

Three days in the life of Martin and Anna. They are both young, beautiful and in love. But life becomes unbearable when they can no longer satisfy their addiction. Martin tries his best, but the pursuit of the drug hits a wall every time and Anna's trust is lost more and more.

Every year on June 14, the Siberian Children Foundation goes on a trip to Siberia to remember their loved ones who stayed there. Along with the trips, they've made documentaries and held conferences. This year marks the 20th anniversary of the foundation's activities. Due to the Covid-19 pandemic, no in-person activities were planned this year, but a documentary film entitled "Children of Siberia. We Remember," which depicts the gatherings of those deported to Siberia in 1941, reflects archival material from previously filmed movies, and reveals the most vivid moments from legendary expeditions over the course of 20 years.

The film is a reflection of the Latvian people in the year of the country's centenary – viewers will easily recognize themselves and their personal stories in its scenes. Starting on New Year's Eve, January 1, when the first centenary baby, little Jete, arrives in the world to the sound of fireworks, and ending with piano music playing over a snow-covered and sunlit panorama of Latvia, the film captures the lives of hundreds of people. In addition, by filming each of the 365 days, sometimes with several cameras, and observing the processes of nature, in the countryside and in urban environments, in the lives of individuals, families and society, the cameramen have vividly captured the different facets of this story through the lens of the camera: the beautiful, the bitter, the grand, the meaningless, the comical and the absurd.

The 1980s in music were marked by the maturation of the 1970s generation of musicians and the emergence of new rock bands in Latvia – Pērkons, Jumprava, Zodiaks, Dzeltenie pastnieki, and Zig Zag. Through their lyrics and later in more direct texts, the bands expressed their views on current issues of the time, such as freedom, independence, and occupation. Party officials did not like this very much, but they were no longer able to stop the process. The Singing Revolution had begun.