Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts

One night, Matiss Zelcs, an employee of the Latvian national archive in Riga, notices a woman on a bridge. After passing by her without preventing her suicidal fall into the depths, a sensation of failure and guilt changes his life. He cannot forget her. Driven by a feeling of remorse and the fever of illusion, he roams through the city night and day looking for traces of her existence. This journey through the tumult of his conscience leads him deeper into his own loneliness and the depths of his soul, as he gets more and more entangled in the destinies of the woman and of the people who were attached to her. He finds himself confronted with the pain of yearning and guilt, the cruelty of love and desire, and the search for forgiveness, release and salvation.

Closing day of the season in the boarding house at the Vietinghoff Palace in the province of Latvia. Here the material world and atmosphere of the 1930s are reconstructed as fully as possible. According to the rules of the institution, guests must abandon all their means of digital communications. And this is what they are looking for: to disappear, at least for a while, and become inaccessible to the outside world. The lingering summer heat drags the guests into an insane frenzy where surrealistic and grotesque situations build up an ambiguous comedy.

Historical reenactment of preparation in Nov. 17 and proclamation of independence of Latvia in Nov. 18, 1918 and in epicenter is only taken photograph of this historical moment.

“Today you will hear my most honest and truthful story about how I made a movie with Eisenstein and Pudovkin almost 90 years ago, how I shot from a bow in the movie Ivan the Terrible, about how I taught the Red Army to ski, how I built the Riga Film Studio, about Naval ships, about Stalin and life in the Universe."

Some of the most iconic images in Latvian visual history were taken 30 years ago, when the so-called Singing Revolution took place. This documentary that includes well-known and previously unseen 35 mm footage, is about those who took these shots, told in their own voices, their own emotions and memories.

Choosing the fate of a rock musician was similar to being a dissident. From the 60s, the Soviet Union tried to discourage and restrict the expansion of rock music by any means. They called it the “rotten fruit of degraded capitalism, demoralizing the minds of Soviet youth”. Despite that, rock music broke the wall – made a hole in the Iron Curtain – and gained the hearts and minds of tens of thousands of young people.Rock musicians were on the frontline of the rebellion against the Soviet regime. Despite censorship, they managed to deliver, in a hidden, roundabout way through lyrics and music, the spirit of nonconformity and freedom of choice to their audience. A film about Latvian and Soviet rock pioneers, their lives and destinies.

Four Latvian legionnaires are sentenced to death for deserting the German army. A Latvian girl heads to the German headquarters to try to free her beloved. In the few hours remaining before the execution a love triangle plays out between the girl, a German officer and the prisoner.

During the Soviet time, choosing the fate of a rock musician was similar to being a dissident.