Lucas Camargo de Barros

Jair’s courtship is over.

"Do you think we will be able to be apart from each other?"

Clinical case: G. is a 38-year-old actor and his grandmother died with symptoms that prevented her from sleeping. He leaves Lisbon and returns to his small hometown in Brazil where he is haunted by a cursed inheritance and his forbidden first love, W.

"My father told me I was ill."

Andre lives by himself in Sao Paulo. His mothers arrives. His boyfriend goes away. Andre live by himself in Sao Paulo.

Hans is addressing his first love, Arief, as if he could hear him despite the distance and time. This heart-breaking love letter guides his steps in search of Arief, while Agnès, Hans’ feminine double, reappears like a ghost. The Hans/Agnès duo roam the streets of Lisbon in a phantasmagorical and desperate quest, to remind us that it is impossible to escape one’s past.

Police reporter Luarlindo Ernesto is the only eyewitness to the creation of the death squad, the first Brazilian extermination group. 60 years later, young journalist Yasmin Santos researches the origins of the militia in Rio de Janeiro and, upon discovering that Luarlindo is alive, decides to track him down to try and convince him to tell her everything he saw.

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

Ingra's faith is shaken when she realizes she is being haunted by her criminal past.

Obstinate Daniel’s grumpiness is evident. He really doesn’t want to accompany his mother to an oncology conference. However, an unexpected meeting makes it an interesting weekend after all. Shot on grainy film stock, with camera work as uncompromising as Daniel is.

Uýra, a trans-indigenous artist travels through the Amazon forest on a journey of self-discovery using performance art and ancestral messages to teach indigenous youth and confront structural racism and transphobia in Brazil.

A film that chronicles the lives of Tatiane, who leaves São Paulo trying to rebuild her life; Odair, a young man exploring his sexuality after leaving his parental home; and Henry, a Haitian immigrant struggling to survive amid Brazil’s poverty. As chaos unfolds in Rondônia, their paths will cross.

"Last year, December 1st, my friend called me saying he was going to kill himself."

In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.

"Passion during monster attacks."

In 1911, in Olaias, now a neighbourhood in Lisbon, the Portuguese Republic established itself and imposed the secularisation of the State. Meanwhile, a woman, known by the name of A. Brasileira, the Brazilian, works miracles and her persecution becomes ever more urgent. However, from one shot to the next there is magic at work here, short-circuiting the centuries.

Among ruptures of memories, geographical and affective displacements, we revisited with Bruno the incursion into a city full of noise but that still emits a minimal murmur of love.

Agnes’ life revolves around playing badminton with her queer friends and working at a restaurant she set up inside her house with her best friend Rini. One day her younger brother Indra arrives, looking for his brother Hans. Agnes faces a dilemma, keep the lie or tell the truth about who she is. The truth could give her a chance to reconcile with her brother but it seems more difficult to reach than she thought.

Among grand mal seizures and geomagnetic storms in São Paulo, André looks for his mother and his lost affections.

"Happiness can be found even in the darkest hours, if we remember to turn on the light."