Shek Keong Wong

A hostage situation occurred at a TV station. The kidnapper K was not after money, he just wanted to terminate the monthly subscription to the TV station.

Based on the novel A Mark Carved On Wood by Michio Tsuzuki. 20 years ago, Cheung was jailed for robbery and the money was missing. Then Cheung is released from prison, but is kidnapped and abducted back to the hill that he hid himself 20 years ago. Will the secret be exposed?

Lok is a recovering schizophrenic who yearns for love. One day, he encounters the young and beautiful Yan and quickly falls in love with her. The pair develops a relationship that is beyond their wildest dreams.

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

A Hong Kong pastor faces an impossible test of faith when the young man responsible for his daughter's death arrives at his church seeking both salvation and shelter.

Security guard Cheung is a loving father who takes good care of his children. As his kids grow older, they have their own lives and that leaves Chueng feeling lonely. He displaces his fatherly love onto his colleague Sheung's young children instead. This innocent act, however, makes his daughter suspect that Cheung and Sheung are having an affair and a small incident risks being blown out of scale.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

Anger breeds anger, and hatred breeds hatred. Restaurant owner Mr. Wong stresses about the business when he has to face rent increases every year. Restless and tense, he channels his anger to Ka Yeung, the timid newest employee. Taunted by his customers, his boss and life in general, Ka Yeung is barely keeping his head above the water with his father being an unlicensed hawker. One incident escalates to another like a Greek tragedy and anger spirals out of control, causing irreparable outcome. This is a story about two men who live in an unforgiving city, both trying to find their way out but ended up hurting each other.

During the COVID-19 pandemic, an owner of a cleaning company meets a young mother and her daughter. Would their encounter save each other during the recession of Hong Kong's economy?

During a diamond heist, one of the security escorts steals the diamonds and flees. Fellow security escorts Yau Shing and Jelly are forced to help the robber track down the diamond. Tracking the diamonds, they stumble into a secluded village. While they clash with the weird villagers, the three men suspect that they are being haunted by a female ghost.

Hong Kong, at the height of the protests. A young woman visits her father, whom she has not seen for a while. Her plan is to have lunch with him before the Umbrella Movement reaches a critical juncture. Celebrated, committed filmmaker Ying Liang contributed with a beautiful moving short with an special angle asking: Where do we live, and what is citizenship?

In the insurance exam hall, Wing is afraid of being categorized as social failures. She trains hard to be professional. However Wing is pressured by the examiner Chan and it’s been tough. With Wing’s pure heart, the system slowly malfunctions… When life gives you lemon, you make lemon tea and you swallow it. But is this our only way out?

Sisters moving from Hunan to Hong Kong in the 1990s are faced with an identity crisis, poverty, and their father's drug addiction.

Two men, a suit and tie by day, turn urban strollers at night and loiter aimlessly around the labyrinth of streets, MTR stations, bars and playgrounds, seeking an escapade from responsibilities that weigh heavily on the mind and fatigue that never goes away. A young woman who has all the time to kill goes to movies and private gigs and answers a stream of inconsequential calls. For a doomsday believer who distributes leaflets to ‘help’ non-believer, it’s Apocalypse Now! It’s inevitable their paths cross at some junctures just as the night passes and a new day dawns.

In 2015, an actress is casting for a sci-fi disaster film set in 2003. Dialogues in the audition jolted her memories when she recalled being a stand-in actress on one fateful night in 2003. “Were such memories once real? Or is it just a story?” she doubted. People in front of her looked oddly familiar, overlapping with people she encountered from the past. In this short, the actress experiences the mystical passage of time, but no one is sure if it is forward or backward. At this very moment, could she be simply playing a role from the past?

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.

From the vast expanse of land and sky comes a wild child with a camel into the city. They encounter a policeman who is fascinated by this mysterious child seemingly isolated from human contact and culture. The policeman tries to establish communication through language without success. As he learns more about the child, the latter inspires him to let go and find his long-lost freedom. Conventional interactions between people mask our true instincts and qualities that only emanate when we return to the basics.

A mistake at the hospital cost a life and a young woman sits on the rooftop and wants to kill herself. Who is to be blamed? The rigid system or indifferent people? For Ng Ho Yin, there is no simple explanation. Adopting a bold approach, he reconstructs the incident in an unconventional order to highlight different individuals personal experience. By doing so, he is also posing a critique on the collective mentality of witch-hunting.

A portrait film of two female contemporary Hong Kong artists shot over ice and smoke, in which these two substances reflect the real-life, turbulent events currently playing out in the ill-fated Special Administrative Region of the PRC.

Ching’s parents are retirees ready to leave for Taiwan where a new chapter awaits them. The only thing holding them back is their daughter’s hesitation to join them. Unbeknownst to them, Ching is stuck in an affair with a married man. She is constantly teetering between trust and distrust, clinging on unfulfilled promises instead of letting go. Life has presented a difficult crossroad to her as she weighs between acting for her own good and following what the heart desires.

Fish, an aspiring painter, leaves the safe haven of home and moves into a dwelling unit inside an industrial building. Carrying a mixed bag of ambivalence and possibilities, her new independence shares the upsides and downsides of a subsistence living in the enclave of artists and musicians, where the strains of life – dissatisfaction with the government and an ever-looming threat of eviction – are tempered by a healthy dose of optimism and humour. The habitat of Fish and company may not be the land of la dolce vita but it’s an oasis of dreams in a desert of reality, however transient and haphazard.

In a traditional fishing village where most youngsters have left to work in the city, the older generations are left behind. Ren, a widow who lives in the village helps her neighbour, Mrs Wah, to deliver a gift to her son, Chung in the city. Ren finds out that Chung is leading a harsh life. Back in the village, there is no one with whom she can share this secret. The only refuge from the sleepless night is her deceased husband. A Thousand Sails is a short tale about the poignant separation between city and village, mother and son, life and death. With long shots and sophisticated art direction, Eric Tsang Hing-weng compellingly captures the actors’ performances, especially that of Professor Chow Po-chung’s surprising debut.

Twenty years ago, Charlie came to Hong Kong to work as a domestic helper. Not only did she leave her home country Philippine, she also left her husband and her six-year-old son.Close to her retirement, she looks forward to going back home and living with her son again. However, her dream does not come true as she wishes…

A multi-layered story told spontaneously in a natural and simple manner. A story between a grandpa and his granddaughter, their home will be cleared out by the government for the sake of constructing a railway route right through their village.