Valentin Kiselyov

In the fairy kingdom live stepmother, her evil daughters — Anna and Maryana, a limp husband-forester and his daughter from his first marriage — Cinderella. The stepmother exploits the poor girl as a housekeeper. With the help of her godmother-fairy, Cinderella gets to the royal ball, where a beautiful and very kind prince falls in love with her. At midnight, the magic ends, and poor Cinderella has to return to her former life. But on the crystal shoe that Cinderella lost while fleeing the palace to the battle of the palace chimes, the prince searches for the bride.

The film depicts the life of Stepan Khalturin, a 19th-century Russian worker and revolutionary terrorist belonging to the Narodnaya Volya (People's Will) organization.

When Shura's sister dies, Shura starts taking care of her newly orphaned niece. Her fiancee, Grisha thinks the child may be Shura's own, and his suspicions estrange them. This leaves the way clear for a shy neighbor who has loved her from afar to gain points as a potential mate. Stenberg's design is simple and effective - a strongly-colored portrait of the pensive heroine at a table that provides space for the title and limited credits.

Based on a play by a German-Jewish exile in Moscow, Friedrich Wolf, and directed by an Austrian-Jewish exile in Moscow, Herbert Rappaport, the film tells with the story of an apolitical humanitarian Jewish doctor and his politically-aware, fascism-resisting son, an intern, as their lives become entangled with the Nazis’ rise to power in 1930s Germany, where they live and practice. Things come to a head when the Nazi organization takes control of their hospital, and place a rabid antisemitic physician in charge over Mamlock and his staff.

A biography drama about Sergey Kirov, a prominent early Bolshevik leader in the Soviet Union.

Arinka, a young girl who lives near the railroad, discovers a ring of spies who are preparing the terror act.

The second part of trilogy about the life of a young factory worker, Maxim. In July 1914, the Bolsheviks and Mensehviks compete for representation of the working-class in the Duma. Maksim, who just returned from exile, calls the workers to strike as a protest against the firing of six of their colleagues. The traitor Platon Dymba assaults Maksim, wounding him severely. When the strike unfolds the workers demonstrate by the thousands, the news of the outbreak of World War I suddenly arrives. Maksim gets drafted.

In the mid-19th century old-fashioned estate based on serfdom laws and traditions, tough and shrewd Arina Petrovna tries her best to make her realm prosper and even expand – despite unwillingness of her husband and three of her four children to lend helping hands. Ten years on, serfdom abolished, and now Porfiry-Yudishka, the epitome of a corrupt, cruel hypocrite, becomes the heir to the estate. Dullness and horrors of life, spent in destroying everybody around him, finally makes him to slowly realize things went somehow wrong. Half-mad, apparently, he goes to the cemetery to "ask for forgiveness" from his mother Arina Petrovna, and dies somewhere along his way, his frozen corpse found the next day.