Magnus Juhl Andersen

Johan, a gay man in Copenhagen, revels in nightlife until meeting William, a transgender man. Their profound love challenges societal norms surrounding gender, identity, and relationships.

After the war, the authorities seek punishment against Karl Skov, and his family is more divided than ever.

Katrine, a high school student, has a very special date planned. Tonight she will meet with her brother for the first time since their early childhood. Her expectations are high and she hopes to connect with her brother to fill the gap that the separation has cost. But what if there is no connection? During the course of one evening and night, they try to bridge the years.

Brøndby. Canned beer, soccer, and smashing. Hangovers and confirmation. Confrontation and family feuds in provincial romanticism, painted in shades of yellow and blue.

This Danish movie "Out of The Darkness" ( in Danish 'De Forbandede år 2' ) is a continuation of the popular WW II drama "Into The Darkness" ( in Danish 'De forbandede år' ) and it portraits the Danish Resistance movements fight. This movie takes place after 1943 where the official politic of 'corporation' comes to an end, and the Danish Resistance movement is gaining traction. The movie follows the Skov family from 1943 to the end of WWII. The growing opposition to the occupation and the increased brutality of the Germans have fatal consequences for the family.

Karlskov is a self made, successful owner of a large electronics factory, has a wife and five children. They live the good, privileged upper-class life on Strandvejen north of Copenhagen when the Nazis occupy Denmark in April 1940. Karl struggles to continue production at the factory, but to protect his family and employees he reluctantly begins to produce for the German market. It brings him into a controversial collaboration with the occupying power and causes painful breaks in the family.

Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.

In the tropical heat of Dilleland, the outsider Kenneth struggles to fit in with his colleagues and impress the cute employee Sofie. The thick-skinned crocodiles seem easier to deal with than the people around him. Kenneth's lack of understanding boundaries and his alcoholic mother, who drifts in and out of his life, hold him back. Gradually, he loses more and more of himself. Things finally reach a breaking point at a staff party, where Kenneth's cold-blooded side emerges.