Arthur Costa Filho

After the death of her handsome but good-for-nothing husband Vadinho, Flor, a widow, marries Dr. Teodoro, a respectable gentleman. Hilarity ensues when Vadinho's spirit returns into her life.

Otavio has to find and marry Madame Bettina's daughter if he wants to inherit her fortune.

An unhappily married cleaning woman in the slums of Rio entices all the money and gifts she can out of an elderly widower.

"Lula, 'bon vivant' who subsists at the expense of small blows, goes on with his life without a present or future purpose. Basically, he just tries to forget having been abandoned by his fiancee Helena, who gave in to his father's imposition. The situations in which he gets involved from then on are paradoxical, trying to survive in the best possible way and spending money he doesn't have, but which comes to him in one way or another. On a day of complete despair, Lula meets a group of "hippies" and leaves catechized. Willing to anything, he becomes a preacher of new customs and new ethics of life. In turn, Helena, whose marriage had failed, dreams of meeting Lula again, hoping to return to his arms.

As the owner of a very famous bordello in Rio de Janeiro gets buried, an old scoundrel remembers his own past among the bohemian circles of the city.

Angel works in a wedding dress store. Ulisses, her boyfriend, works as personal trainer. They are swallowed for the television and, to leave, need to discover how to use the Ulisses' ring.

At Pedrinho's request, Dona Benta begins to tell the legend of the Minotaur. In the middle of the story, a strange visitor appears on the farm and takes Aunt Natácia to some unknown place. Upon discovering that she was kidnapped by the Minotaur, the whole gang goes on an adventure to try to save Aunt Nastácia. And that's when the fun begins.

Adaptation of the series shown in 1986. Marcos and Lurdinha live in love in the 1950s. The young man is the son of separated parents and his mother, Glória, works as a cashier in a nightclub. The conservatism of the girl's family and the sexual repression of the time are factors that affect the couple's relationship.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

The fight for freedom and against oppression is the central theme of this soap opera that tells the story of the Coragem brothers: João, Jerônimo and Duda, in the city of Coroado.

The routine of the quiet town of Rio Belo changes with the arrival of Carina, a traveling actress determined to discover who her father is. At the same time, a mysterious crime involving the powerful Donana shakes the town.

The cheerful and outgoing Jordana lived alongside Silas for 20 years, helping him become wealthy. Despite this, he abandons her to run away with the opportunistic Carla. After the separation, Jordana faces financial difficulties. She then meets Dona Mena, an eccentric and lonely old woman abandoned by her family. Jordana takes care of Dona Mena and, when she dies, inherits four bronze cupids containing a million dollars. The problem is that the cupids disappear without a trace. The cupids become the subject of a fight between Dona Mena's nephews, Loreta and Carlito. The two are the villains of the story. Jordana, however, ends up falling in love with Carlito. In the final chapters, Jordana manages to recover the cupids and rebuild her life. She has the help of her friend Vieira.

Romantic and dreamy, Eliana works at a five-star hotel and becomes involved with unrequited love, a bumbling gang, and a complex police story.

The telenovela tells the story of Francisca Moura Imperial, a wealthy businesswoman, and her two sons: Jordão and Tiago, who show little interest in the family business. Jordão is the product of a whirlwind romance in Francisca's youth, while Tiago was born from her marriage to Roberto, a seductive man who moves in high society but is penniless. Francisca is preoccupied with her sons but cannot interfere in their lives as much as she would like. Eccentric and full of outlandish ideas, she decides to undergo plastic surgery, which makes her look 20 years younger, believing that this will bring her closer to Jordão and Tiago. Francisca's greatest concern is that at least one of her sons will marry and give her a grandchild, thus ensuring the continuation of the family name.

Set in 1940s São Paulo, the story follows Laura, a modern woman devoted to the arts who is oppressed by her husband, Natércio Prado—a wealthy man with traditional views. Amidst marital turmoil, Laura suffers a severe trauma and is even committed to an asylum by her husband. The couple separates, and the family is torn apart: Laura keeps her youngest daughter, Virgínia, while Natércio retains custody of the other daughters, Otávia and Bruna. Frail and penniless, Laura moves into the Vila Mariana home of her neurologist, Daniel. He is in love with his patient and believes her condition is physical rather than mental. Laura hides the fact that Virgínia is actually Daniel's daughter. The youngest daughter eventually returns to live with her father, where she faces hostility and harshness from the housekeeper, Frau Herta.

Marked by the reputation of “son of the devil”, Zeca sees his life change when he falls in love with Maria Rita, Santinha. But the young woman's devotion and expectations about her destiny put the romance to the test.

In the 1950s, Lurdinha and Marcos fall in love at the first sight. She studies at the Institute of Education, and he studies at the Military College. Two traditional educational institutions in 'Tijuca', in the North Zone of 'Rio de Janeiro'. But Lurdinha's conservative parents reject Marcos because he is son of separated parents and try, in every way, to keep him away from her.

Cecília is in love with Eduardo, a millionaire who doesn't care about their relationship. Ready for a new direction in life, she ends the relationship and goes to work as a flight attendant in New York. Later, she returns to win back her love, but things are not the same anymore.

The story is set in the fictional city of Albuquerque, in the interior of São Paulo, in the early 1960s – a time marked by changing behaviors in much of the world. There, young people enjoy the sounds of rock and twist on the dance floors, follow the fashion of jeans and leather jackets, and show off on Lambrettas and motorcycles through the city streets. In this context, Maria Tereza, a student teacher, dreams of living in the capital and being elected Miss Brazil, but clashes with her boyfriend, João. An idealistic young man who intends to pursue a career in journalism, he is consumed by jealousy of his beloved.

The story begins with the arrival of millionaire Antônio Carlos Volpone in Brazil. After living in Cairo for 18 years, he returns to his homeland for two reasons: first, to clarify the murder of his father-in-law, Dr. Telles, of which he was accused; second, to get closer to his ex-wife Estela, now married to Orlando Aranha. The millionaire also attracts media attention, and reporter Amélia Bicudo decides to investigate his life. To mislead his enemies and move freely, Volpone uses numerous disguises: the executive Anabela Freire, the doctor Nilo Peixe, the industrialist Augusto Melo Sampaio, and the driver André Silva. With the help of his loyal secretary and friend, Mosca, he confronts his main rival, Orlando Aranha, and Renata, Orlando's sister, who holds secrets about the murder of Estela's father.

On a farm in the interior of Mato Grosso, the impetuous hillbilly Juba grows up free and without instruction, in contact with nature. His parents are killed by cattle rustlers, and he takes over the farm. With the help of the Indian and tutor Iru, who teaches him the secrets of the forest, Juba plans to take revenge on the murderers. His life changes when he falls in love with Ruth, a young woman from the big city who introduces him to a world with new possibilities.

'Cuca Legal' tells the story of Mário Barroso, a single aviator involved with three women at the same time: Virgínia, Irene, and Fátima. Virgínia is a wealthy businesswoman obsessed with the direction of her late father's business; Irene is a middle-class young woman who gives private piano lessons; and Fátima is a poor widow. Mário can't decide which of them is the ideal woman to give him a child with a "cool head" (cuca legal). Things get even more complicated when Maria Joaquina, nicknamed Kinu, Virgínia's mother, also catches the aviator's attention. To escape the troubles he constantly gets into, Mário relies on the help of his mother, Dalva, and Jacaré, his great friend.

Class differences and a childhood dream are the highlights of "A Patota". Juliana, Vicente, Pedro, and Tião are children who live in a village where the poor and the rich coexist. They dream of traveling to Africa. Teacher Neli, her boyfriend Jorge, and Professor Simões join forces to help them realize this dream.

On Paquetá Island, Carolina dreams of reuniting with a childhood sweetheart, unaware that it's Augusto, her brother's friend. After adventures and misunderstandings, the couple struggles to stay together.

Madalena hopes Pedro will fulfill the promise he made 28 years ago, while political rivalry separates the two families. The arrival of the circus reveals secrets and stirs up the town.

'Escolinha do Professor Raimundo' was a comedy program starring Chico Anysio, the unforgettable Professor Raimundo Nonato, and which brought together some of the biggest names in Brazilian comedy. Marked by informality and improvisation, the School was a landmark, immortalized catchphrases like "And the salary, huh?" and paved the way for new and established talents. Created in 1952 by radio host and comedian Haroldo Barbosa for Rádio Mayrink Veiga, the School arrived on TV five years later as a segment of the program Noites Cariocas, on TV Rio. For 38 years, the School was a segment hosted by Chico Anysio in various comedy programs. In 1990, it premiered as an independent program on Globo and became a classic of Brazilian television.