Adrien de Van

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.

After a disfiguring leg injury, a young woman develops an unsettling secret relationship with her own body in which pain is pleasure, mutilation is love and hungers of the flesh have a mind of their own.

The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sadomasochist tendencies, and the intrusion of a very free-spirited maid and her husband. And it all started with the arrival in the family of an innocent looking rat.

Paris, at night. Pierre lands up in a club, El Turrrf, and meets two young ladies. Pom and Clémentine are accustomed to the place and are not going to delay saying to him why they are here.

André Masson, specialist in modern art, receives a letter according to which a painting by Egon Schiele had been discovered in Mulhouse. He finds that the work has been missing since 1939. This discovery puts his career in danger.

A young woman wanders through her apartment, feeling dizzy.

Marie and Eric, a couple in their thirties who have been together since college, buy their first apartment when Marie is suddenly overcome by doubt. Her encounter with a handsome, dark-haired man forces her to make a decision...

Just before taking an irrevocable and tragic step, Caroline talks to Claire, her lycée friend. Later, Claire gathers five other school friends, and tells them Caroline's secret. The six agree to wage a guerrilla war against their philosophy teacher, the sarcastic and belittling M. Terrien, the cause of Caroline's despair. After seeking advice from Mayard, the school's guidance counselor and a leftist with a police record, the six look for evidence that could get Terrien fired. They strike gold, and then raise the stakes. Sarah, one of the six, hatches a deadly plan.

In the far-off time of tales, Madeleine and Jean are living on the shores of an alpine lake. They have been together since Jean found the young girl lying in the forest unconscious and amnesic. One day, Jean catches a huge fish, and in the stomach he discovers a young boy asleep. So begin the events that will awaken Madeleine's memory.

Children encounter a kid-eating ogre.

We follow how four ordinary little girls learn about life, love and all that sort of things.

An aging photographer's obsession with an early form of photography draws his assistant and daughter into a work of mystery.

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

Rolando Colla made his directorial debut with this Swiss-French-Italian period drama about a Breton woman who disguises herself as a man to join a ship's crew during the 18th century. Rebellious 24-year-old Anne Bruneau is abandoned at the altar by her fiancé Yann. Unaware that Yann was drunk and fell down a well, Anne reacts to his absence by cutting her hair, dressing like a man, and signing on with a ship captained by a dwarf. When Yann learns what happened, he begins running south to Marseilles to rejoin her. Aboard the ship, Anne's disguise is discovered by the captain and the ship's doctor. With an Arab, she jumps ship, hiding with hookers in Marseilles while still maintaining her disguise.

A series of shorts about the AIDS crisis, homosexuality, and the reinvention of love in such conditions.