Mariia Ponomarova

Lena and Vitya, both in their early 20s, are two kids who now have a kid of their own. In the postnatal hospital room, like in limbo, their first team project is to wake their son for a feed. As the new parents repeatedly fail, they have to deal with the irreversible changes in their lives and with each other. Meanwhile, the diaper cake silently sits in the room, like a time bomb.

A team of aging Ukrainian cheerleaders prepares to compete for the European championship. When the war escalates, the members are separated. Will the sisterhood be able to reunite amidst the emerging scars of war?

My birthday is the brightest day of a year. My birthday always starts at the cemetery.

Post-Soviet summer camp near Kyiv. Danya (16) prepares a special performance for the visit of his father, who is not living with him for a long time. However, Danya's father arrives earlier than expected and comes to the camp not alone.

Business analyst Andriy, loaded with his work affairs and responsibilities, takes care of his father's post surgery rehabilitation. Trying to be in several places at the same time and worrying about the needs of others, Andrew forgets about his own.

The fifth film in the series of documentaries "Winter that changed us". What is self-defense, directors Konstantin Klyatskin and Maria Ponomareva undertook to explain. Participants of the protests will remember how the Maidan self-defense arose. One of the heroes of the film is Thomas from the group "Mandri", who, being an active participant in Euromaidan, participated in the delight of the Ministry of Culture. The fact that people had to physically defend themselves, defending themselves from their own power, director Konstantin Klyatskin calls a phenomenon that is difficult to fit in the head...

Starting from a picture of her apartment in Kyiv, filmmaker Mariia Ponomarova remembers the life she has lived there. In three conversations with her mother and her friends, they reminisce about sleepovers, the view from the window and drunken nights on the rooftop. Through these memories, she begins to reclaim the image of her home.

A young filmmaker Ihor finds a hidden and unpublished photo archive of his grandfather Leonid Burlaka, a famous Soviet cinematographer. Discovering a man that he never knew well enough through the damaged pictures, he gets closer to his dementing grandpa, facing the tension between memory and forgetting.