Emma Suárez

The late 1970s, somewhere in the Mediterranean: Marcos Timoleon, a tycoon, is throwing a lavish, extravagant birthday party for Sofia on his exclusive private island. The party is a perfect excuse for various people in his life to approach him with their own agendas.

Diego decides to travel to Lanzarote with his wife Alba to try and save their marriage for the umpteenth time. A toxic relationship, with no sexual chemistry and constant arguments, amidst comings and goings with other people, not caring how much they hurt one another. Alba keeps her shell drawn tightly around herself, not realising that her attitude is the cause of their failed relationship.

Documentary that recreates the biography of the Catalan composer and pianist Enrique Granados (1867-1916), his trips to Madrid, Paris and New York, his sensitive nature, the struggle to make his way in life despite the family economic straits and his first successes The story, built from vintage images, is interspersed with versions of the Granados repertoire by interpreters such as Rosa Torres-Pardo, Evgeny Kissin, Cañizares, Arcángel, Rocío Márquez, Carlos Álvarez and Nancy Fabiola Herrera, among others.

Queen Esmeralda hates men because they have always limited her freedom, so she does not want her two daughters to suffer the same fate. Therefore, when the ship in which they are traveling passes near an apparently deserted island, she invokes a portentous storm.

The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.

A mysterious exterminator falls in love with two women who live in a distinctive wine-producing region in Spain.

Olivia, a 12-year-old middle class girl, is forced to reorganize her basic needs when her family (mother, little brother and herself) is evicted and forced to live in a squatted apartment on the edge of the big city, in a rough neighborhood. Her mother can no longer bear the situation and falls in a depression, so Olivia has to replace her. It means caring for her brother and her own mother, while dealing with the feeling of an emotional earthquake. But she is not alone, Olivia will make friends that will help her to see her own life from other points of view. Because things don’t always happen the way we want, but we can choose the way we live them.

The family, the tenant, the wedding, the businessman, the neighbors, the poor child and the run over. 7 black comedy stories of a dysfunctional society.

Maggie is in her final days of pregnancy, when she and her husband Sean are attacked in their isolated home by two people who decide to wait with them until Monday to empty the family's bank accounts.

It tells how 14 characters travel in a mysterious vehicle that they cannot easily get out of. Along the way, they fabricate about their identity and travel through unreal landscapes on a journey between life and death, sleep and wakefulness. According to the synopsis, "a tragicomedy with no certainties".

Retired billionaire, Rooney, feels his family loves only his money and not him. He plans to live as an adult baby with his wet nurse, Sagebrecht. When thieves break into his mansion and hit him on the head, he starts to grow younger.

Jota's suicide attempt is interrupted when a motorcyclist crashes off a bridge. After he rescues her, he decides to invent a life story for her — one of love and shared memories — creating a fragile web of deception that intertwines their fates.

This is a Spanish Drama starring Antonio Banderas

In the 13th century, desolation and misery lead the inhabitants of a village in the Pyrenees to emigrate to Burriana, in Valencia, a region considered to be the Promised Land. During the journey, love, hatred and suffering will jeopardize their arrival at their longed-for destination. At the same time, they will be involved in the war waged by King James I to reconquer these lands held by the Muslims. Reaching the end of the journey will be an odyssey.

Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half sister. Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to her daughters, but we soon understand why Valeria had wanted her to stay away.

Raquel is desperate: a series of unfortunate events have led to her daughter being taken and she needs a large amount of money to get her back, and fast. After a desperate plea to the bank, she manages to secure the loan she needs. The problem is that precisely at that moment, a peculiar couple of robbers enter the branch: the drug-addicted Jonan and his partner Lola, who is a deadly combination of smart and psychotic. But Raquel’s stakes are too high, and she knows she must think carefully to outsmart them, save herself and get her money.

Luz, the daughter of an ambassador living in Madrid, discovers that she is HIV-positive. At the same time, she meets Luis, an advertising executive leading an AIDS awareness campaign. As their relationship develops, both are forced to confront the realities of living with the disease.

Maria suffers from Alzheimer's disease. Luis, Maria's fifteen-year-old grandson, doesn't say very much either; he shuts himself off in his own silent world to escape his parent's marital crisis, spending time instead picking up stray cats and dogs off the street. His father, Miguel, wants to put a stop to this eccentric behavior, but his protective mother Alice indulges him. Nevertheless, the animals begin to appear at home in increasing numbers, making life complicated for the family in their flat.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Juan flees Madrid and an incestuous relationship with his sister, Ana, working at a mine on the Andalucian coast. When his friendship with Rosario, a local shop girl, becomes romance, Ana shows up wanting to rekindle their affair. He resists at first, but she stays, asserting that Juan is the only man she can ever love. Juan distances himself from Rosario. The mine has problems: high cancer rates in the area caused by poorly stored radioactive waste. A foreign safety engineer, Petersen, tries to connect with Ana, is rebuffed, but lets her stay in his sea-front bungalow. Juan seeks her out to demand she leave, only to argue with Petersen. Death, desire, and longing play out.

After moving back to her family home to care for her dying mother, a nurse haunted by her childhood memories must struggle with an evil force in the house.

Three women. One same age. Three ways to face it.

An aspiring teacher (Eduardo Noriega) falls for a maid (Ingrid Rubio) in a village where people claim they see the Virgin Mary.

Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

A gifted woman's intellect brings chance to lead covert European police force. But it backfires, costing her everything. Following murder at her home and kidnapped heiress, her ex-supervisor enlists a policeman's aid to reinstate her.

Elmer's mother used his lack of feelings to turn him into a hitman. But when he falls for his next victim, their cover as calm local gardeners wavers.

A rising politician's career is threatened when a surreptitiously recorded video of her sex life is leaked to the public.

Psychological games abound between detectives and suspects in a tense interrogation room, where the search for answers sometimes comes at a moral cost.

The disastrous meltdown of a nuclear power plant in Northern Spain created a contaminated no-go zone and left the nearby provincial city and inhabitants in a state of shock and mourning. Three years later, while the city prepares for the commemoration ceremony, a mutilated body is found in a warehouse. Police inspector Hector Uria's search for the murderer takes him deep into the no-go zone and into his own past.

Telefilm on the Spanish Queen Sofia. It all starts in Corfu (Greece), in the summer of 1961. The Royal Palace of Mon Repos, summer residence of the Greek royal family, he wakes up at work. The service strives to prepare the house for some illustrious guests: the “Barcelona”, which are none other than the Spanish royal family in exile. The purpose of the visit is to formalize the relationship between Sofia, the eldest daughter of the kings of Greece Paul and Frederika, with Juan Carlos, the son of Juan de Borbón and Maria de las Mercedes. Both young intimated in London, at the wedding of the Duke and Duchess of Kent.

As it had happened before, a body appears on the first night of the Carnival. The locals are sure this the work of "Urco", and that more murders will follow until the festival is over.

A psychologist is forced to confront her past when a new series of murders echoes the crimes that put her serial killer father behind bars 25 years ago.

Exploring perspectives on witches from different angles, ranging from historical accounts to popular folklore, shedding light on the complex narratives surrounding these notorious figures.

The COI, a radio station, is getting ready to air a new programm, "Tristeza de Amor", in the team they've hired, there are two reporters who used to be well known to the audience, journalist Ceferino Reyes, who just returned to Spain after ten years living in South America, and commentator Carlota Núñez, the woman who, years ago, somehow forced the latter to leave the country. This series deals with this radio programm crew's everyday adventures, and their professional and personal troubles.

A dramatic re-creation of a 2008 airplane crash in Madrid that killed 154 people.