Étienne Becker

Shortly after Elle Wieck moves to a small French village, she begins dating Pin-Pon, a quiet young mechanic who has grown obsessed with the beautiful newcomer. But Elle has her own reason for the relationship...

In Montauban in 1944, Julien Dandieu is a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in the back country village where Julien has an old castle. One week later, Julien decides to meet them for the week end, but the Germans are already occupying the village.

François, a journalist, is approached on the train home by pretty a blonde. She leaves at the same station as him and follows him until he ends up inviting her to his house.

When Francois, a journalist, tours a big store for an article, he is chosen by the son of the newspaper's owner, Rambal-Cochet, as his new toy. Needing money and unwilling to quit his job, Francois agrees to this ridiculous assignment. Gradually befriending the spoiled boy, he induces him to play at making a newspaper, unveiling publicly the tyrannical way of life of the father. The powerful emotional climax we experience with the child astonishes both men.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.

Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living.

After getting painfully separated from the woman he loves, Julien leaves his apartment. He goes in search of his old friends but no one is to be found and the city is silent.

Tired of being a housewife, Annie wants to work. Between her professional life and her responsibilities as a parent, she can no longer cope. She decides to leave and starts writing a memoir of her life...

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.

Marceau Léonetti, a competent and energetic officer stops by chance the son of an influential lawyer driving under the influence of alcohol. A few months later, the lawyer falsely accuses Léonetti as being violent and incompetent. As a result Marceau is transferred to a small police station, where he meets young and beautiful Jeanne. Soon they are faced with a tough investigation.

A troubled marriage is tested by the couple's involvement in a theatrical production of Racine’s Andromaque.

Documentary on the events provoked by the systematic attack of imperialism on the Popular Unity government in Chile, presided by Salvador Allende.

A stranger enters into and forever alters the life of a couple. He claims to be pursued by certain authorities who intend to prevent him from disclosing a secret that only he holds, whence the title. Is he lying, or insane - or is he telling the truth? Who, if anyone, is after him? And what *is* - the secret?

A methodical police inspector becomes entangled in a web of deceit after a murder investigation reveals disturbing connections to his own department. As suspicion tightens around him, he must outwit both the killer and the system to survive.

Alice invites her past two lovers and her current to Christmas dinner uniting them all in her house. In sentimental flashbacks she recalls the former times with each of them. While she reminisces, she also fixates on a new relationship that blooms and dies within the same calendar year leaving her to wonder if she's meant to be with anyone for any extended time.

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

Instructional film about the (former) biggest harbour in the world, with a hybrid format. Well known Ivens themes are revisited, like The Flying Dutchman in the fiction part of the film, who returns to the modern day Rotterdam, that has recovered very well after the devastating bombardments in the second world war.

A young Parisian advertising executive becomes so captivated by the unsettling charm of his mysterious new employer that he eventually abandons his family and friends, viewing it a privilege to let the ubiquitous employer take over his home, his life, his desire. Only his wife remains suspicious, recognizing both the pathos and the evil in the man’s soul-stealing power.

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

Two college friends, traveling in Europe, find themselves rivals for the attentions of a mysterious woman.

A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.

When he was cutting "Phantom India," Louis Malle found that the footage shot in Calcutta was so diverse, intense, and unforgettable that it deserved its own film. The result, released theatrically, is at times shocking—a chaotic portrait of a city engulfed in social and political turmoil.

Araminte is a wealthy young widow. Over a matter of land, she is in conflict with Count Dorimont, whom her mother would like her to marry. In need of a steward, she hires Dorante, a handsome young man without a fortune, whose secret ambition is to win the young woman's heart and hand. It's Dubois, Dorante's former valet, now Araminte's, who, by manipulating all the household staff, hatches a plot based on true, false and mixed confidences, designed to lure Araminte into Dorante's arms. Dorante eventually confesses to Araminte, who forgives him and marries him.

Louis Malle called his gorgeous and groundbreaking Phantom India the most personal film of his career. And this extraordinary journey to India, originally shown as a miniseries on European television, is infused with his sense of discovery, as well as occasional outrage, intrigue, and joy.