Iair Michel Attías

A fictionalized drama film based on one of the most shocking crimes in Argentina's history. In 1992, Ricardo Barreda was an unassuming dentist, brutally murdered his wife, mother-in-law, and two adult daughters in their family home. Branding himself as a victim, Ricardo Barreda ignited a media storm and fueled a national scandal.

Lucius Glantz, a veteran hotel manager in Vienna, fights to save his beloved establishment from a scheming realtor's plan to demolish it, leading to a clash of wills that even affects the hotel's renowned soufflé recipe.

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

In 2009, a man and two accomplices try to evict members of the Indigenous community of Chuschagasta in northern Argentina. Claiming ownership of the land and armed with guns, they kill the community’s leader, Javier Chocobar. The murder is caught on video. It takes nine years of protests before court proceedings are finally opened in 2018. During all this time, the killers remain free. The film combines the voices and photographs of the community with courtroom footage to explore the long history of colonialism and land dispossession that led to this crime.

The venerable VHS may have surprises. A strange spell captures the protagonists, who are friends, and submerges them straight into the world of the most implausible Argentine cop films. An amazing flow of images lost, forgotten and recovered whose consumption threatens to become addictive.

A reflection on success and happiness from the observation of the world of amateur awards granted to artists and communicators.

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

Carla Ponti is a young psychologist who arrives home one night to find her dog dead and is then attacked. A police officer takes her report and dismisses it, but a murder he is assigned to investigate brings him back to the case.

The plot is set in 1966 when an Argentine scientist carries out a space plan to compete with the United States and the Soviet Union in the arrival to the Moon.

During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire.

Pedro receives a desperate message from an ex-girlfriend asking him to look after her senile mother, Alicia. What seems like a simple mission soon becomes his worst nightmare. Pedro needs to escape; but Alicia won’t let him...

"For her next movie, De eso no se habla, María Luisa Bemberg needs a dwarf". That was an ad on local media during preproduction of the movie that would become the last od the director. Among the peoplewho responded the ad was Alejandra Podestá, who ended up getting the leading role along Marcello Mastroianni. Through testimonies of varios friends, members of the crew and the words by Alejandra herself, who was brutally murdered in 2011, A Beautiful Dream tells us the story of the making of the film and the relationship between Bemberg and Podestá, which winds up being a tribute to both women.

A misguided American documentary crew working for an edgy media company travels to rural Argentina to profile a local musician, but their ineptitude leads them into the wrong small town. As they collaborate with locals to attempt to fabricate a viral trend, unexpected connections blossom, while a pervasive crisis looms unacknowledged in the background.

David Samaras, "el Griego", is the general producer of the popular talk show "Hoy se arregla el mundo", where supposedly ordinary people resolve relationship, couple, friendship, work, parent and child conflicts. The most enduring bond in his life is Benito, his 9-year-old son, the fruit of a casual relationship. The story changes completely when he learns that Benito is not his son. The search for the real dad will lead them to a crossroads much bigger than the one they set out to face.

On October 5, 2010, Alejandro Bordón was arrested by a police officer on his way to work. After a brutal beating, he was taken to Police Station No. 6 in Lanús, where he was informed that he was accused of the murder of bus driver Juan Alberto Núñez.

Yolanda hires Nicki Nicole and Rocío Ro-Ro for a robbery. They furtively get their hands on a drug load. The Princesita will go on a hunt to get back what belongs to her.

A group of women and men who suffered sexual abuse during their childhood tell their stories of struggle in first-person voices. In times of movements like #MeToo, their voices are presented as tools both to raise awareness of the issue and to support others.

About Christmas, or about the construction of fiction, about the protagonists of the farce, about the exploited by the system, about the mercenaries of the performance; a film about angelic beings.

Natalia "La Gorda" López hires two women to fetch a body that contains the kidneys that would save her estranged brother's life. Everything goes wrong.

The grandson of sculptor Jorge Michel reconstructs the life and legacy of the grandfather he never met. He visits warehouses and collections on his trail. While he looks for the misplaced work, he assembles his own identity.

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

Santa Fe - notes, 2017 - 2019 is a story made up of fragments of landscapes, buildings, voices and objects. It is a film built on the relationship between art and the colony, memory and threat, native peoples and silence.