Miriam Hopkins

Acting

Miriam Hopkins

Born October 18, 1902 · Savannah, Georgia, USA

Died October 9, 1972 · aged 69

Ellen Miriam Hopkins (October 18, 1902 – October 9, 1972) was an American actress known for her versatility. She first signed with Paramount Pictures in 1930, working with Ernst Lubitsch and Joel McCrea, among many others. Her long-running feud with Bette Davis was publicized for effect. Later she became a pioneer of TV drama. Hopkins was a distinguished Hollywood hostess, who moved in intellectua…

Known For

The ChaseThe Chase · 1966
The Chase
7.11966
MovieCrimeDrama
The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.
The Children's HourThe Children's Hour · 1961
The Children's Hour
7.71961
MovieDrama
An unruly student at a private all-girls boarding school scandalously accuses the two women who run it of having a romantic relationship.
Dr. Jekyll and Mr. HydeDr. Jekyll and Mr. Hyde · 1931
Dr. Jekyll and Mr. Hyde
7.21931
MovieHorrorScience Fiction
Dr. Henry Jekyll believes that there are two distinct sides to men: one that is good and one that is evil. He believes that by separating the two, man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug, it is already too late.
The HeiressThe Heiress · 1949
The Heiress
7.81949
MovieDramaRomance
In 1840s New York, the uneventful and boring days of the daughter of a wealthy doctor come to an end when she meets a dashing poorer man — who may or may not be after her inheritance.
Trouble in ParadiseTrouble in Paradise · 1932
Trouble in Paradise
7.41932
MovieComedyCrime
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Virginia CityVirginia City · 1940
Virginia City
6.31940
MovieWesternAction
Union officer Kerry Bradford escapes from a Confederate prison and races to intercept $5 million in gold destined for Confederate coffers. A Confederate sympathizer and a Mexican bandit, each with their own stake in the loot, stand in his way.
Savage IntruderSavage Intruder · 1970
Savage Intruder
5.31970
MovieThrillerHorror
An enigmatic young man manipulates his way into working at the decaying mansion of a once prolific, but now reclusive and alcoholic, movie star named Katharine Packard. While the rest of the house staff become suspicious of Vic's intentions, the aging movie queen is smitten. But as Vic begins behaving in more and more erratic ways, it becomes clear that he's far more sinister than his demeanor implies.
These ThreeThese Three · 1936
These Three
7.11936
MovieDramaRomance
Close friends Martha and Karen build a private boarding school together with the aid of the local doctor Joe. The school takes off and many students enroll, one of whom is a trouble-maker who tells a scandalous lie that threatens to destroy the trio's lives.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.