Ilya Komarov

A poetic documentary about the Russian monotown of Karabash, located in the Ural mountains. Mass media often call it ‘the most polluted town on Earth’. Two centuries of copper mining have left an impact on the local ecology, transforming the woods and hills into a Mars-like landscape. The main force in this place where nothing ever changes is the copper smelting plant – the primary source of both employment and environmental pollution.

Anya takes the blame for her friend and becomes the target of bullying from classmates in the real world and on social networks.

Two directors begin casting a film about the 1990s, which gradually devolves into a space of uncertainty where the distinction between document and fiction disappears. This subtle disruption in the process—the appearance of a single actor obsessed with "accuracy"—leads to a loss of control and implicates them. At the edge of this experience, between life and death, both directors find themselves inside their own, never-made film.

Sonya, a young actress who does not get roles in the theater, is forced to work in cold sales by phone. There she meets Skull, a brutal gangster who is in love with his boss's girlfriend. Thanks to the Skull, Sonya gains knowledge in the specific prison vocabulary and tries to save her theater artistic director during a robbery.

An expelled journalism student, trying to make sense of his life, carefully documents his summer, as well as the story of the disappearance and death of the founders of one of the first startups on the Russian Internet.

The film tells about the small town of Gubkin and its inhabitants. A little-known settlement in southern Russia has a huge iron ore quarry. Through the mosaic of local stories, we will see the city and the quarry next to it, like a living creature that influences people's lives with its mood.

Russia's top athletes will show their world closed from prying eyes. They will introduce you to your family, tell you how to live when your body fails, and answer the main question — why do they need all this?