Moufida Tlatli

A young teacher arrives to take over a village school isolated in the shimmering desert. Legendary figures materialize out of wells and the desert itself, groups of children hurry through a labyrinth of underground corridors, and the teacher is whisked away to a mysterious rendezvous and never returns.

Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.

On December 31, 1980, between England and the mainland, two anonymous passengers were fouled by the British and Belgian authorities and found themselves prisoners on board the car ferry connecting the two frontiers.

The death of a prince brings a young woman back to the palace where she was born into servitude. The lingering legacy is brought into light from behind frosted windows and velvet curtains.

After the battle of Kfar Chouba in Lebanon in January 1975, Larbi Nasri, a young Algerian journalist, was caught in the whirlwind of events preceding the civil war. Linked to Maha, Hind, Raouf and Michel who surround Nahla, he witnesses the construction of the myth of Nahla, a singer adored by the Arab population. One day Nahla loses her voice on stage. The atmosphere of crisis that reigns around her is spreading like an infection. Larbi, fascinated, loses his footing and gets bogged down.

Focusing on key Arab films produced in the last 20 years. Férid Boughedir traces the development of the film-makers' concern to produce more socially aware cinema. Themes include the issue of Palestinian homeland rights and the nature of Arab identity. The film-makers also share a desire to develop a strong poetic tradition.

Nadia is a 45 year old female professor at the University of Tunis. She is married and has a daughter of 18, Sarra. For some time, Nadia has problems in her marriage also symptoms of menopause are inseparable. The physical and psychological state deteriorates inexorably Nadia.

In this Sufi tale, Nadia, a young Moroccan emigre returns from Paris to Fez to visit her dying father. At his funeral, she is overcome by the voice of mystic Kirana chanting the Koran. A powerful friendship develops between the two women as they decide to turn the father's palace into a shelter for Muslim women.

A determined young woman in a remote Tunisian city bucks tradition by studying for an academic degree, instead of accepting the time-honored, submissive role of her sex as a wife and housekeeper for some 'mustached man'.

A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.

An 18 year old on the island Djerba, Aicha, is married to Said, who works in Tunis for much of the year. Aicha breaks with tradition and decides to join Said in Tunis, weaving rugs to make money. Said asks that she give him a son, so Aicha lives under the rule of her mother-in-law.

Kemal studies in the Sadiki boarding school. Since the death of his father who was murdered by a secret colonial organization, Kemal has doubts about the political situation of Tunisia.

Two Palestinian lovers, parted during the 60s when he is imprisoned for resisting the Israeli occupation and she sorrowfully emigrates to the US, come together again in Jerusalem some 18 years later. He works for an agricultural aid organization, she is a scholar researching the meaning of sacrifice in Palestinian society. Around them rages the turmoil of the first Intifada.

A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.

Free and a multi-talented artist, Habiba Msika was one of the brightest stars of her time, the twenties. Inspired by the real-life of the artist, the film evokes the last years from 1927.
 Punctuated by the jolts of a changing time, this tumultuous stage in Habiba Msika's life was branded by the love that Mimoun, a wealthy landowner, and Chedly a young poet from a good family, both dedicated to her. In Berlin, during a triumphant tour, she meets the oriental music star, the Iraqi Baghdadi, and is introduced to Parisian life by Peter, and a dandy of disconcerting charm. Back in Tunis, Habiba Msika's life is carried away by the frenetic whirlwind of success, controversies, and thwarted passions until the final tragedy of her death.

Omar, a young man, lives a simple life with his family and suffers from loneliness. His life changes when he tries to bond with a girl he barely knows.

In spite of its reputation of swallowing virgins, the Moorish bath “Hammam D’Hab” is still visited by uncommon crowds of women…

Rich in environmental mood and ethnic color, this human drama chronicles the lives and rituals of a nomadic Berber tribe in the southern Tunisian desert, especially focusing on a son about to inherit the full mantle of leadership. When he sees that their sheep are threatened with a possibly devastating illness, the precarious nature of the group's existence is brought home to him and he leaves to gain a livelihood and knowledge in the city. Once he gets back, bringing money and presents, it first appears that the group will be assured of a better future because of his enterprising outreach. Yet military and governmental officials arrive on the scene to take a census and the young man is conscripted, against his will.

Around 1980, in Tunisia, Si Béchir, an old craftsman, sold his house and left the medina of Tunis with his family to settle in a new city on the outskirts of the capital. With his son Ali and his niece Aziza, the old man discovers a new way of life in a Tunisia in full change. Aziza becomes friends with Aïcha, a young actress, while Ali continues to fail in his little businesses. The arrival of a sheikh from the Persian Gulf will fuel all the desires in the city, including those of Ali. But the dream is short-lived.

Since childhood, Qays and Layla have been in love. Qays, being a poet, publicly sings of his love, crying it out joyously far and wide - just the sort of public proclamation which was strictly condemned at the time. Distraught yet fearless, Qays stubbornly proclaims with all the more vigor his love for Layla, who remains entrapped by her own clan.

In Tunis, Fethi, a pretty face like Brando, and his friend Bannour, naive and shy, are employed in the pastry shop of the Italian Madame Rita. Their only concern is picking up Souad and her cousin Latifa in their convertible to take them for a ride "on the Wave side".