Silvia Fenz

Chronicles three years of a middle-class family seemingly caught up in their daily routines, troubled only by minor incidents. Behind their apparent calm and repetitive existence, however, they're planning something much more sinister.

For a job, Alina has to accept longer working hours and long business trips. The single mother has to reorganize her everyday life with her daughter Lilia and asks her ex-boyfriend Jarek to teach her the violin lessons. While Lilia finds it difficult to come to terms with the new situation, Jarek soon finds pleasure in contacting violin teacher Clara and her sons - much to the dismay of Clara's husband. When Lilia gets the chance to change to another teacher as a master student, the contact with Clara breaks off. Until Jarek and Clara meet again by chance a few months later.

Set in an old suburb of Vienna traversed by the local railway line and full of old dilapidated houses. In this district, and old man lives and when his neighbour dies and new tenants move in his existence is transformed.

48 hours in the life of the Neugebauer family. The May weekend with a small family celebration, which was planned as peaceful and contemplative, turns out to be a kind of Rocky Horror Picture Show in Vienna's municipal housing estate. Just like the other residents, the Neugebauers are preparing for the impending Mother's Day.

The pre-Christmas season is anything but contemplative for Lina, model and advertising jingle singer, and her best friend Nettie, who runs an event and partner agency: the two can hardly save themselves from second-class Christmas orders. And it's not for the first time that Lina and Nettie are preparing for lonely holidays. Nettie has long since given up hope of still finding the right one, and Lina's dream man Alex, a married doctor, has not yet separated from his wife.

Premiered in 1926, Leoš Janáček’s absorbing masterpiece Veˇc Makropulos reflects all the dominant musical styles of the early 20th century, from Bohemian tunefulness to big Straussian phrases, Berg-like jaggedness and primeval rhythms. With the “breathtakingly grandiose” (Salzburger Nachrichten) Angela Denoke in the lead role, this emotionallypowerful opera was given superior treatment at the hands of the Wiener Philharmoniker under Esa-Pekka Salonen. Recorded live at the Salzburger Festspiele on 8 & 30 August 2011. Angela Denoke stars as Emilia Marty, with Raymond Very as Albert Gregor, Peter Hoare as Vitek, Jurgita Adamonyté as Krista, and Johan Reuter as Jaroslav Prus. Esa-Pekka Salonen conducts the Wiener Philharmoniker.

Herbert lives a rather simple life, left to his own devices. He works as a projectionist in a shabby Viennese movie theater and lives alone with his red nameless cat in the free caretaker's apartment of a somewhat run-down apartment building. Now and then he visits his mother in a nursing home, meets with an old friend of his father, or comes to meetings of a savings club. Saving money is pretty much the center of his life because he has a dream. He wants to emigrate to the U.S. to buy his own movie theater and to reunite with his long-lost father. But when Rita, a young student, moves into the apartment building things in his life are changed completely.

Helden, a village in a secluded, forgotten valley in Tyol. A place where the world is still a happy place, where a simple poache named Max loves poor Emma. However, he doesn't want to stand in the way of her being happy by marrying the greedy mayor's rich son. Time stands still in Helden, where Father Johannes is still able to stir up the parish with his sermons, where the oldest resident has already celebrated his 300th birthday, and where the village idiot reads Marcel Proust. One day, this idyll is threatened when the mayor plans to turn the village into a tourist trap. The heroic Max is ready to fight this decision and do battle against injustice. It's no surprise that Emma sides with him, and after staving off the evil menace, he can marry his beloved as a reward.