Manuel Pinho Braga

An unexpected meeting on Twitter, introduces young actress Luísa to António, a writer and journalist, who hides his identity using Rasputine as his profile name. This virtual relationship becomes the centre of their lives and one day, they finally decide to meet. But, on his way, António has an accident…

In an abandoned shopping center, Luis sees his best friend being assaulted. Incapable of facing it he runs away from the adolescent violence that haunts him while struggling against himself.

It's last week at school, but Simon's not studying for his finals. His parents have divorced and seem to be waiting for a change that never comes. Simon gets tired of waiting. Could he get a one-way ticket to the USA? Would it be possible to make objects explode from afar? And what if time could be reversed? Or if freedom is only to be found in movies?

On a Sunday an older actress (Isabel Ruth) decides to use her mobile phone to take photos of a sleeping young actor (Joaozinho Costa)

Confronted with his mother's infidelity and his father's emotional absence, João arrives at a sunset where he refuses to return home.

Gabi believes in her ability to act in times of injustice, relying on her physical abilities. One day, Gabi finds out that her brother, Daniel, is a victim of bullying in their neighbourhood. Suffering from unexpected outbreaks of sleepwalking, he disappears from home during the night. While trying to avenge him, Gabi realizes that perhaps all the coinciding events related to her brother are a test made by ghosts of the past.

A group of disillusioned youths in Lisbon are consumed by the promise of the “club”. Irreverent, alien, and playful, the film takes the audience on a trip through the underground of Portugal's capital city as its young characters get high and unleash their unpredictable energy on the streets.

One summer night, a teenage girl sneaks out of her house to meet a boy at a party. However, when she finds him, he is strange and distant. That same night and at that same party, a boy is intercepted by an unknown girl, who claims to know him.

Two siblings face their problems and undergo a profound inner transformation at a time when they both rediscover themselves. Lidia struggles to cope with her newborn baby: she can’t handle the expectations, doesn’t recognize her body, and distances herself from home and her boyfriend. Her brother Lauro works in a funeral agency. Divorced with a son, he grapples with accepting his bisexuality. Though the siblings rarely saw each other, their shared challenges bring them closer on a journey of rediscovery and profound inner transformation. The light at the end of the tunnel isn’t an illusion; the tunnel is.

One day they meet randomly on the street: João is unemployed, Clara works in the film industry as a production assistant. They were colleagues at film school. She invites him to participate in this film she’s working on. “Eternal Flame” it’s a melancholic comedy about the dynamics of a film crew and the growing pains of a young slacker. A homage to the family of Portuguese cinema and cinema itself

In the middle of the Atlantic, Helena rekindles an old friendship with Ceu, an astrophysicist who recently relocated to the Azorean island of Santa Maria to study exoplanets. Caught between the island’s geological inheritance and the vastness of the cosmos, the two friends reconcile with the various space exploration infrastructures that are stationed on the island. A work of science-fiction inspired by the various space resources currently existing in Santa Maria, See You Later Space Island is a loose tale of friendship and endurance.

A young couple takes care of a holiday condo in the desolate environment of an empty village. When the weather changes and the unexpected happens, they begin to drift further apart.

Three Portuguese queer short films brought together in a program that charts an alternative path through converging universes, forming a new constellation of desires, fears, and struggles. Entre a Luz e o Nada by Joana de Sousa, Sob Influência by Ricardo Branco, and Uma Rapariga Imaterial by André Godinho are three cinematic gestures that explore techniques and narratives from science fiction to horror, seeking new ways to view and imagine other possibilities. After traveling through various festivals, these films can now be experienced together, in a mutual exploration of mysterious worlds, unsettling dreams, and singular visions.

The colors translates the movements of luck and the paths without direction.

Lisbon, 2027. Marta and Miguel are both researchers that are part of a scientific group and a couple in their private lives. Their relationship will be put to the test on one decisive night when the parameters that Marta is analyzing point to the very high probability of a major earthquake hitting Lisbon. The group splits, debating whether or not to warn the population of the possible impending tragedy.

In the year 74 BC, Titus Lucretius Carus, a young man with bold ideas, tries to convince his friend Memio that moving to the city of Rome to study is a total waste of time. Years later, Lucretius returns from the capital. Trying to find a balance between his explanations of the natural world and his emotional experience of it, Lucretius lives a deep and troubled passion with his foreign wife Isa.

Bruno Aleixo was invited to write a biopic about his own life. Lacking ideas, he decided to ask his closest friends for inspiration. Reunited in a cafe, each of his friends suggests a different idea, more or less biographical.

In a country dominated by repressive police and institutional powers, The Nebula operates clandestinely at night. To strengthen the Resistance, it reconstructs and revives corpses. Two members embark on a mission to break this cycle of violence.

An early death by drowning leads to different ways of reacting among members of a group of friends. While some revolt, others move away from reality, looking for comfort in a virtual world.

On one side of the Tagus river, Clara just moved to her new apartment. On the other side, a man wanders the night. As time unfolds both margins slowly merge, and what seems left behind in the past can always be waiting in the future.