Teresa del Olmo

In the 1990s, Rafa and Álvaro are quietly in love, forced to keep their relationship hidden from those around them. As they navigate the pressures of secrecy and societal judgment, a seemingly small mistake—Álvaro leaving behind a pair of socks—leads Rafa’s grandmother to uncover their connection. Her discovery triggers a series of events that unravel long-held family secrets and reveal unexpected truths about the past Rafa and Álvaro thought they understood.

Carla receives a disturbing call from her mother, Anne. Her grandmother, Mamie, wants to die. With this news, they decide to travel to be together one last time and say goodbye to Mamie. The reunion, initially affectionate, becomes muddied as old grudges buried under a history of family abandonment come to light.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

Spain, 1755. Ana is sent to a cloistered monastery where several nuns are afflicted by a mysterious disease. With the help of an unorthodox priest, the young novice uncovers an ancient legend and malevolent force: a bloodthirsty upiro.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

Lola, submerged in the transition from child to adult, within her silence has to assume the sale of the house in the family town that implies the acceptance of the death of her grandfather together with the oblivion of the past.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

An elderly woman who owns a tavern receives a visit from a suspicious stranger with an offer to buy her establishment, something that, apparently, the owner will not be able to refuse. But first, she has to invite him to try her famous coffee.

An elderly woman accustomed to human interaction verbalizes what she needs to be heard.

What begins as an ordinary board in a traditional apartment building to vote the renewal of the elevator, turns into an unexpected debate about the limits of pacific coexistence.

In a retirement home for former professional musicians, a newcomer convinces some of his mates to embark on an exciting adventure that will change their lives.

A serpent, created by radioactivity, threatens a Spanish coastal town.

A psychologist helps an elderly woman in her final years while investigating the death of her partner.

"Dama de Porto Pim" tells the story of a rich woman who arrives at a little Portuguese island while her husband is in the II World War; there, a humble fisherman, promised to marry a girl of the town, falls in love with her, and she will also fall in love with him, but his husband could come back.

Alba, an elderly woman living with her daughter, is unhappy with the way her daughter’s partner treats her. When she finds herself alone with him, she will have to decide how far she is willing to go in order to save her most loved one from a life of suffering.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

In 1920s Madrid, four women at the National Telephone Company ring in revolution as they deal with romance, envy and the modern workplace.

Queen of Swords is an action–adventure television series set in California during the early 19th century that ran for one season, from 2000 to 2001. The series premiered October 7, 2000. After filming had been completed on 22 episodes and the first eight episodes were broadcast, the series was canceled.