Paul Heidemann

The traveling salesman for a bathing suit company has trouble getting business until he meets a girl willing to take off her clothes and act as a model.Misunderstandings and complications ensue.

On a train's way to the Italian Alps, the jewelry of a wealthy young widow is stolen and a military veteran working as a waiter is the first to come under suspicion.

Because the soulful county doctor in a small spa town in the mountains has interfered with the business of selling "healing waters", he incurs the enmity of the local shopkeepers. And for that reason, his candidacy for the post of District Medical Officer is thwarted.

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

After a burn-out Karl spends time in his home region, the Black Forest. His car gets lost and is picked up by penniless magician Amadori who enjoys posing as wealthy entrepreneur Karl while Karl reunites with the love of his youth, Liesl.

A young woman poses as a boy to ingratiate herself better with her strict aristocratic grandfather and to get him to better accept the new freer ways of the younger generation.

It can hardly be said that things are peaceful in the Berlin apartment building where the film's story takes place. There are constant clashes between the residents – and sometimes that's quite literal: for example, when the widow Bock hid some explosives among the bricks, which detonated when the building's thieving doorman lit them in his stove.

August Pipin is a very reliable and loyal cashier who is always level-headed, no matter which trouble faces him. One day that suddenly changes and a fiasco breaks loose.

In this operetta adaptation, a young woman waits for her lover in India, while her impatient uncle wants to marry her off without further ado to a rich merchant.

The Sweet Girl (German: Das Süße Mädel) is a 1926 German silent film directed by Manfred Noa.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

An emancipated Princess, who has just returned home to her court in the Balkans from England, goes in disguise to a servants’ bal and falls in love with an alleged caterer, who turns out next day to be a lieutenant of the guard. Without letting on to her masquerade, she makes sure he climbs the ranks quickly. At the same time, she tries to thwart her engagement to an unpopular prince.

Mrs. Hansi Aichinger owns a flourishing fashion house in Berlin in which she employs her two married daughters Hermine and Dora, her sons-in-law and also her youngest, still unmarried daughter Liesel. Only her husband, Professor Hugo Aichinger, doesn’t need to be involved with the company.

Theo Müller and his family inherit a vintage car that turns out to have a wayward mind of its own, fixing the family troubles and some romances with a series of guardian angel and/or matchmaking shenanigans.

Identities are changed in the Austrian countryside. A simple woman does this to test the affections of a store manager, he too changes character several times and there are other locals who do this as well.

While on tour somewhere in Italy, a famous German pop singer loses his voice. All tickets for the concerts have long been sold out. Someone from the "Star's" entourage finds a young local guy who used to walk around the city singing in a very similar voice. From then on, the pop star stood on stage in front of the microphone, only opening his mouth, while the unknown street singer sang for him, standing in front of the microphone behind the scenes. At the end of the film, the star's voice returns, and he begins to sing solo and in a duet with the young singer.