Jayanta Bhattacharya

A powerful industrialist and a celebrated singer seem to have the perfect marriage until an ambitious young actress enters their lives. As past feelings, misunderstandings, and public scrutiny begin to test their bond, the couple must confront the fragile balance between love, trust, and ambition.

A family struggles to survive in a slum on the fringes of Calcutta.

After her father’s death, Anuradha Chowdhury became very upset. In such circumstances, Mr. Mallik, the general manager of Chowdhury Mines, tried to manage every property of their family. He convinced everyone that Anuradha was a mental patient. Suddenly she got a chance and flew away from Rachi to Kolkata. Accidentally Anuradha met Raja Banerjee, a journalist, and requested shelter. As a result, she started to stay at Raja’s house. In such a situation, Mr. Mallik came to Kolkata and asked for help from Raja. This complex situation really confused him and later Raja decided to help Anuradha. At the same time, Mr. Mallik requested a notorious criminal Rohanlal to find Anuradha. Just to save Anuradha Raja put her at his grandmother’s house in Tarakeshwar. Later Anuradha felt that she had a soft corner for Raja. Therefore, without hesitation, she decided to come back to Raja’s place and fixed him as his life partner.

Natobar, like any other typical Bengali lad, wants to be a poet. He is unsuccessful in all his attempts while dabbling with poetry. Rabindranath Tagore visits him in his sleep and gives him a boon - he is endowed with Tagore's poetic prowess but for a limited period.

Subhash is a photographer from the city, who has come to take pictures of some old temples and ruins in a village. Ruins fascinate him. While in the village, he gets acquainted with a young woman, Jamini, who has had her heart broken in the past, by another visitor from the big city. Will history repeat itself, or will she find a way out of the ruins at last?

Rohit, a Gujarati, studies the life of Anthony Firengee, and in the process meets with a mysterious man Kushawl Hajra.

A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.

After being accused wrongly of theft, a slightly addled servant runs away to the city, carrying as his only real possession an axe, which he claims to have killed a tiger with. He takes up life among India's throngs of city-dwelling homeless, and for a little while almost has a decent time of it. He has a girlfriend, and one good friend, and gets by through begging and doing odd jobs.