Sho Miyake

Misa, battling PMS and stigma, starts anew at Kurita Optics. Amidst work and sweets, she meets Takatoshi. Despite his quiet demeanor and struggle with panic attacks, a deep bond forms.

Keiko surprises everyone when she overcomes adversity to win her first two boxing fights. But when an unexpected incident threatens the closure of her gym, she is pushed further than she thought possible.

In summer, Nagisa and Natsuo meet by the sea. Their vacant gazes reflect each other as they exchange awkward words and wade into the rain-drenched ocean. In winter, Li, a screenwriter, travels to a snow-covered village. There, she finds a guesthouse run by Benzo.

With a contagious sense of abandon, three young adults' lives become intimately entangled over the course of a long summer in Hakodate, Hokkaido.

Haji is an actor on the cusp of turning 40, who has gotten stuck in life. At the invitation of an old friend, he visits his hometown for the first time in ages. On the way Haji has an accident, and wakes up to find himself transported back to high school with his adult body in tact.

A short length work by revered critic and theorist Shiguéhiko Hasumi and Shô Miyake, editing together John Ford's thematic system of “throwing” across many of his films. Edited according to which and how much each throwing scene was written about in Hasumi’s John Ford book, this film serves as a definitive version of a collage film initially created by Shinji Aoyama ten years ago. Aoyama, who passed away in March 2022, never saw the completion of his teacher’s book. Recognizing this, Hasumi recommended that Shô Miyake create a definitive version of the collage film, allowing him total creative freedom within a 60-minute runtime limit.

Two short films born from a collaboration between actress Shizuka Ishibashi, who has been practicing ballet and dance since childhood, and director Sho Miyake. By going back and forth between the various movements of the body in everyday life and dance movements, we will explore together the appeal of the body in film.

In a small cockpit-like room, we see two young hip hop musicians from Tokyo giving birth to a beat: precision, patience and camaraderie hold sway, midway between an installation and sitcom.