Jorge Valencia

After seven years in jail, a woman is released and has to re-enter society.

In 1752, a ship arrives in Brazil, bringing doctor and writer Gaspar de Fróes. He keeps a diary about the dangerous trip, the diseases and hunger aboard, his impressions of the new country, and the political struggle between the crowns of Castela and Portugal. In Brazil, he is going to fall in love with the wife of a Portuguese officer.

A reporter becomes involved with a band of terrorists hiding in the mountains between Peru and Bolivia.

Two communist lovers prepare to move to the Ukraine and work on a collective farm. Meanwhile, a celebrated pop singer visits their small town, and secrets are revealed.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).

Gregorio is a Tupamaro exiled in Spain who has returned to Uruguay. He has not yet revealed his secret: on the site where today he intends to build a house for his family there are buried weapons and ammunition from his guerrilla past.

A woman and a man known through a radio program dedicated to unite in their lone pairs listeners.

An old man named Geppetto creates a wooden puppet named Pinocchio who comes to life.