Ni vivo, ni muerto

Five elderly men form a music group and run away from the nursing home where they are interns with the hope of playing for an audience. They confront th city, the nursing home authorities, the police and all those who wish to destroy their dream which finally comes true when they are contracted to serve as musical background for strippers of a second class cabaret. In case i never see you again, is a movie about life, death, melancholy and the quest for happiness.

An old man named Geppetto creates a wooden puppet named Pinocchio who comes to life

A young peasant woman moves to Bogotá in search of work and ends up as a domestic servant for a middle-class family, where she witnesses the breakdown of a conflict-ridden marriage. At the same time, she faces the aftermath of rural violence while trying to adapt to life in the big city.

An Argentinean born Spaniard, writer and journalist, whose parents were tortured and murdered during the Military Coup, returns to finish a novel about them, with the ambiguous determination to get even with their murderer, a former Sheriff who lives nearby in Patagonia. He and the Sheriff's daughter fall in love. He takes DNA samples of the Girl's family and realizes the truth; she is not their daughter, which means she might have been abducted from her murdered parents. He indirectly feeds her mistrust. The girl travels to Buenos Aires to investigate. She finds out the truth and faces her father, who avows never agreeing on saving those children. On her question, "Who am I?" he says she is a mistake and that she is alive thanks to his decision. It is her who ultimately solves the Writer's conflict in a tragical showdown with the Sheriff.

Eduardo, a middle-aged man, receives news that compels him to abandon everything and return to his hometown in Patagonia. He longs to reconnect with his girlfriend of twenty years, whose love he foolishly sacrificed to face life from that point forward. His childhood, his family, the consequences of Argentina's fragmentation during that era (Perón's fall in the fifties, the dictatorship of the seventies, the devastation of the nineties). His deepest affections, his sorrows, his fears resurface in memories of those years as if they were the causes of the destiny he imposed upon himself, transforming him into who he is; placing him at the beginning—which is also the end—of a futile life disguised as success.