Murat Sağlam

After waking up in a hospital with amnesia, professor Robert Langdon and a doctor must race against time to foil a deadly global plot.

In an Anatolian city, Mr. Mehmet, a wealthy and respected merchant, is approaching death. As his condition worsens, family members and acquaintances begin gathering around him. Beneath the quiet atmosphere of the house, long buried tensions, unspoken expectations, and hidden ambitions slowly emerge. Through silences, gestures, and fragile relationships, The Wealth explores the emotional and moral fractures created by inheritance, family ties, and the inevitability of death.

In the early morning following a night shaken by citywide protests, Ali, a man in his twenties, is awakened by police sirens and forced to act as a “Hazirun” during a search of a neighboring apartment. Drawn into the process with no ability to intervene-valued only for his presence, signature, and silence-Ali becomes trapped in a gray zone between law, authority, and conscience, as events spiral out of control and irreversibly fracture his everyday life.

Quiet and introverted toll booth clerk Kenan's life, a humdrum routine between the Tavsancik toll booth plaza and his home, will change the day the new operations chief comes to inspect Tavsancik.

Three strangers with one thing in common — the same father — come to a Turkish village to bury him, and learn about him and each other.

In a dystopian Turkey, the Government begins installing new TV antennas to homes throughout the country. Mehmet, a superintendent at a crumbling apartment complex, has to supervise the installation of the new antenna. When the broadcast it transmits begins to menace the residents of the apartment complex. Mehmet must seek out the spiteful entity. The night bulletin reflects the oppressed society of today's Turkey where freedom of speech is in jeopardy.

In some villages in Eastern Anatolia, there is a common belief: If someone is about to die, a smell develops in the house a few days before the death occurs. Villagers call this smell "meft". A girl raised with this belief, is about to whitewash a room in the house for her sick mother to rest in. As she enters the room, the girl encounters a smell.

A Sunday in a high-rise building in Istanbul. Some only hear their own voice, and some in their loud silence. The day is shadowed by an unexpected event.

An incident occurs at an ordinary Turkish funeral. While throwing soil onto the deceased with a shovel, one of the mourners accidentally drops his phone into the grave. When he realizes he has dropped his phone, he stops the burial and asks to retrieve it. However, one of the mourners says that the grave cannot be reopened due to religious beliefs. With the imam who is conducting the funeral also getting involved, an unusual argument ensues.

Four twenty somethings in contemporary Istanbul: Zeynep is a student who feels distressed from following daily news. Her housemate Ayşe tries to flee abroad because she cannot see a future for herself in Turkey. Mehmet is a married engineer who is never satisfied with his above-average life, while unemployed Ali feels stuck living with his parents. Coincidences bring them together in a playful manner. Almost Entirely a Slight Disaster explores the anxieties faced by the new generation with its humorous and intertwined ways.

Multiple choice is a movie that puts its center three big events in Turkey’s history such as 1938 Dersim Event, 27 May Coup, Madımak Massacre. The film, centered on these three events (certainly not facts), compares the answers to four young people from four different ideologies born in 1994 and beyond, asking the same questions. Four people from the four main political movements, the left: the socialist fraction, the center-left: social democracy and social liberalism, and the Kemalism bound to them, the center-right: the conservative liberal tradition and the right: from the Turkish-nationalist movement who have not experienced or have not witnessed the events because of their ages, give their manipulated, secondhand informations and responses to make us see their capibility of understanding.

Bayram works at a textile workshop in his spare time after school to help support his family. After his father's death, his older brother took on all the responsibility of providing for the family. Bayram supports his brother as much as he can by working at the textile workshop after school. When his brother is drafted into the army, Bayram is left alone at home with his mother and embarks on a journey into the unknown.

The little girl who is waiting for good news from her pregnant mother who is taken to city for birth and new born baby sister with her grandparents and the neighbours that came to their home, learns that she has to cauterize her own foot for her new born baby sister's health. The feeling of guilt and responsibility that she feels make her start to trying cauterize her own foot. After the lots of tense, fearful moments she gets caught by her grandmother before she managed it. End of the day she gets good news from her sister and mother but she continues sleeping instead of giving this important news to her grandparents.

Yılmaz and İlkkan are two friends who are constantly fighting each other. Their biggest feature is always being able to do things that will turn their ordinary lives upside down. They magnify small events incredibly and give you a nervous breakdown. They are the embodiment of the misfortunes, strange events and despair we experience every day.

Jet Sosyete / Jet Set (2018) is a Turkish sitcom written by Gülse Birsel (59 episodes, 3 seasons). When textile company owner Cengiz Özpamuk fires his son and promotes lowly employee Yaşar Yüksel instead, the Yüksel family — a working-class family from a slum in Ayazağa — suddenly moves into a luxury villa in an upscale gated community, comically crashing into Istanbul's elite jet set lifestyle.