Brandon Grötzinger

Father explores the relationship of a dad and son who haven’t been in touch in the last years. While he tries to reconnect with his son in the present, he reflects with his girlfriend on the past.

On the last day of the year, a dispirited work-at-home phone interpreter has her moribund life turned upside down when she answers an unexpected emergency call.

“When I do my suicide for you, I hope you’ll miss me too,” Herman Brood sang in “Rock ‘n’ Roll Junkie” – just one of many announcements of his own death Brood worked into his songs. It’s a subject Brood, who jumped off the roof of the Amsterdam Hilton 15 years ago, often sang about. In Unknown Brood, a whole range of people look back on the rock and roller’s turbulent life, including fellow musicians, his manager, a former girlfriend, photographer Anton Corbijn, Brood’s wife and their daughter. Video footage shot by Brood himself and never seen before is intercut with a rich collection of archive material, including a humorous clip of Brood barking the Dutch national anthem. His sister Beppie Brood stresses her brother’s split personality: on the one hand the shy, vulnerable man wary of other people, and on the other the one who played Herman Brood – an extravagant, hedonistic junkie and rock and roll star.

An all-male foster family tries to enjoy one last morning together, before their unity will be broken by what was inevitable all along.

The Rectum Raiders are a Turbo Glam-Metal band who have been together since their early teenage years. Now years later when a grown-up life with responsibilities and full-time jobs come peaking around the corner they give themselves one final shot to get their big breakthrough as a band and fulfill their childhood dreams.

Queer bodies attract, fall in love, falter, perish. Are our bodies more vulnerable, and therefore our loves, too? A poetic video letter; an intimate experiment of image and sound, of heart, head and hormones; and a loving ode to those who have passed on before memories together could be made.

A fatally-timed invasion of privacy forces two male roommates to an all-too-intimate heart-to-heart.

Biserka Šuran was two when her family fled the former Yugoslavia. At the time, her father thought that their youngest daughter would be the least affected by this sudden departure. In her directorial debut, Šuran enters into a conversation with her father about their shared past, the history of the Balkans and what it means for their identity.