Miguel de Zuviría

Martin moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having sex. Sometimes he’s paying and sometimes his trans sex-worker friend or another woman takes him along for a threesome.

A documentary that traces the life and inexhaustible work of Xul Solar. Through interviews and an exceptional archive, it delves into the universe of this painter, astrologer, musician, inventor, and visionary.

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

A critical memoir about revolutionary violence in Argentina in the 1970s.

A girl from Argentina writes a diary from Beijing. At the same time, she writes another diary--one invented--of what she would be doing if she were in Buenos Aires. Both diaries overlap while the girl, in Beijing, tries to find Shendy Wu, her best friend of childhood,a Chinese girl who lived in Buenos Aires until the age of five, before turning to China.

Pray for me: Pope Francis’ story is a documentary that follows the life journey of Pope Francis, with a particular focus on his social and humanitarian work. The film portrays a man deeply devoted to the causes of the poor, the marginalised, and the forgotten: from his early years in Argentina to his role as a spiritual leader on the global stage. Blending archival footage, personal testimonies, and a thoughtful, ethical perspective, the documentary offers an intimate and timely portrait of one of the most influential figures of our time.

Silvia visited Moscow in the late 1960s, during the Soviet regime's heyday. There, she saw the structuralist-designed complexes designed to house working-class families. Upon returning to Buenos Aires, she discovered that the same collectivist spirit was embedded in the buildings constructed by the El Hogar Obrero cooperative. Embracing the ideal of socialism, Silvia abandoned everything, including her husband and children, to move into one of these apartments and write a novel in which she planned to portray its more than 200 owners. Shortly after, she traveled to Italy, and her trail was lost forever. Half a century later, a niece found her manuscripts and decided to bring to life on film what had been left unfinished in literature, combining archival material with scenes of the current inhabitants.

Nothing went as planned: what seemed to be an original idea (taking an international fashion event to a small town in the Argentine Pampas) ended up as a mysterious affair, with a mannequin who seems to have vanished, and who insists on leaving small clues scattered across the immense plains. But nothing seems to be too strange for Commissioner Sirota and her particular method which, this time, includes a clairvoyant, a legendary detective arriving from Santa Rosa and some picturesque “peritas” who choose to work at night, swinging to the rhythm of Ska. In the middle, a disturbing question: Is it a police case they are dealing with, or is someone taking them (the police, the whole town, the Italians – all of us, perhaps) for a fool?

Joaquín has the power to charge cell phones or supply electricity to any device with the energy of his own body, so he takes advantage of it to make a few pesos in a city resigned to scheduled power outages. A laconic and refined comedy, touched by the grace of the extraordinary.

A film about surviving something that didn’t go as expected. Manuel is going through a break-up with Camila, and, at the same time, he has to rethink the whole artistic project that has been his focus for the last few years. To give Camila space to pack, he leaves for a seaside location, where he continues his preoccupation with recording sounds of all kinds. His inertia about the future will be challenged by something extraordinary that happens to him on the beach.

This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.

A Man from Atlantis is a poetic documentary that follows Ricardo Montans, a legendary Argentine freediver who has spent much of his life underwater. Once a car mechanic in Buenos Aires with dreams of becoming an engineer, Montans abandoned dry land to descend into the depths — first as a maintenance diver, now as a freediver. In Honduras, where he founded the Freediving Caribbean School, won the 2023 Caribbean Cup and established depth records, he trains to dive beyond 100 meters on a single breath battling fear, silence, and the dreamlike pull of the deep. The film explores a life suspended between the two great human longings: to fly, and to breathe underwater.

The documentary registers with detail this first visit to Argentina. It's a meditation on the artistic and conceptual processes that Ai Weiwei needs to think of his art. The images dialogue between the director and his instagram, revealing an intimate side, close to the people.

A poet dies and another one, younger, feels an obligation to promote her work. She is joined by a team of women filmmakers. The film begins with this unusual triangle but, interestingly, it grows into something more complex and subtle than a traditional research project.

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.

In 1958, Robert Gottlieb was forced to renounce his Romanian citizenship in order to migrate to Israel. 50 years later, his daughter Yaela (re)builds that route but her father’s story does not match the places she knew. Family mandates and ghosts of the past get materialized. Him from Lima and her from Buenos Aires, for the first time, find an undeniable gap that leads her towonder: who her father is

For the unique 2x25 project, the festival asked 25 composers to compose a short piece of music, after which 25 filmmakers made a short film. A short film by Laura Citarella with music by Eiko Ishibashi.

An agoraphobic musician, locked up in his home, begins to live with a shadow cast on his wall; a shadow that has a life of its own. Meanwhile, between jobs, music, scripts, gymnasts and volleyball matches, the musician’s friends go on with their lives during the beginning of autumn in Buenos Aires.

A group of friendly characters get tangled in the streets of Buenos Aires between jobs, infidelities, plays, books and musical instruments. A young director takes refuge in movie theaters and declares a sudden muteness. Despite his own and other people's pressures, he refuses to direct a script that he hates. In the end, he makes an unexpected decision.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.

Just like someone who takes out his dog for a walk everyday, Petriz is condemned to watch and hear every move from a woman inside a house. We don’t know why or for what reason. We’re just there, alongside Petriz, watching and hearing.