Marina Zeising

LA LUPA is a documentary that explores the different experiences of motherhood. Some personal adversities reveal the director the desire to be a mother but at the same time they boots her to interpellate and deconstruct herself. Her search develops in the international context of a new feminist wave. Identified with a gender perspective, she travels through three countries that influenced her: her homeland, Argentina, Italy and the country of her maternal grandparents, Norway. In this sentimental journey, she focus in the dominant patriarchal system, contrasting the cultural differences in the role of women, the social realities that propitiate or diminish family development and the encounter with women who inhabit motherhood in different ways, discovering in the nature of a winding and rhizomatic journey to find her own way.

Documentary about the Protestant Lutheran community of the Evangelical Church of the Río de la Plata in the metropolitan region of Buenos Aires, which shows how Luther's reformist gene persists in a country monopolized by Catholicism.

A story set in Uruguay in 1993. It revolves around an investigation by a law court lawyer, Julia. She's looking into the possibility that a chemist named Eugenio Barrios is being secretly sheltered in Uruguay by right-wing political powers.

In the aftermath of the May Revolution, which sparked the end of Spanish colonial rule and the establishment of the first independent government in Buenos Aires, revolutionary leader Juan José Castelli is given the order to oversee the execution of former viceroy Santiago de Liniers. This pushes Castelli into a deep moral conflict, forcing him to confront the tension between revolutionary justice and personal conscience, as well as the human cost of political change.

Javier, a psychologist, meets Ana, a notary, alien to the psychoanalysis' world. Both have a desire to find a partner. After they meet and a first date, they take a trip to Quequén's beach in Buenos Aires where things may not go as planned.

Herta Scheurle, an Argentine woman who studied acting and worked in France, Germany and Argentina between the '60s and '80s, reconstructs her history as an artist and woman from her current point of view through personal archive material of images, documents and 16mm family movies shot by his father in Argentina and Europe during the '40s to '60s.

Blas Jaime, a retired man from Entre Ríos, Argentina, being 71, publicly revealed, that he is the last heir of the Chaná language, an ethnicity native from South America, that was considered extinct for more than 200 years ago. Pedro Viegas Barros, a researcher and linguist of indigenous languages, validated his tongue and culture. His investigations caused recognition by UNESCO as the last Chaná speaker. Together, they embarked in an odyssey to transcend this cultural legacy with the purpose of it not to vanish as most languages around the world. Could they transcend his legacy?