Pedro Augusto Almeida

Directing

Pedro Augusto Almeida

Filmmaker born in Setúbal, Portugal, in the early 1990s. He has a College Degree in Video and Documentary Cinema from ESTA and a Postgraduate Degree in Art Studies from FBAUP. In 2012, was selected for “Borderline”, an international film project which had the support of Guimarães European Capital of Culture 2012. Between 2013 and 2016 he was the projectionist at Teatro do Campo Alegre, in Porto.…

Known For

New CameraNew Camera · 2017
New Camera
2017
MovieDrama
Rafa is testing his new camera, Rui and Ana are picking him up. The camera keeps filming.
MulberryhoodMulberryhood · 2022
Mulberryhood
2022
MovieDramaFamily
It’s the summer of 2004. Three boys play ball in a parking lot. Two brothers interfere with the game. One ball.
Orange YellowOrange Yellow · 2017
Orange Yellow
2017
MovieDrama
The colors translates the movements of luck and the paths without direction.
SeaSea · 2018
Sea
5.72018
MovieDrama
Francisca, a beautiful 50-year-old widow, prepared a peaceful future for herself. In an unexpected outburst, she grabs an opportunity for change and embarks on a sailboat called ‘Hovering Over the Water’.
The Sea No Longer Stops HereThe Sea No Longer Stops Here · 2020
The Sea No Longer Stops Here
2020
MovieDocumentary
Caldeira, Sado estuary. A clam picker and his friend spend the morning collecting up the bounty of the tide.
The Year of the Death of Ricardo ReisThe Year of the Death of Ricardo Reis · 2020
The Year of the Death of Ricardo Reis
4.42020
MovieDrama
Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.
Cinema, Manoel de Oliveira and MeCinema, Manoel de Oliveira and Me · 2016
Cinema, Manoel de Oliveira and Me
6.42016
MovieDocumentary
“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho
PilgrimagePilgrimage · 2017
Pilgrimage
5.52017
MovieHistoryAdventure
Adventurer, pilgrim, penitent but above all outstanding writer, Fernão Mendes Pinto left us an unparalleled romance, the living and human palpitation of one of the greatest historical adventures of man.

Filmography

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Cinema, Manoel de Oliveira and MeCinema, Manoel de Oliveira and Me · 2016
Cinema, Manoel de Oliveira and Me
6.42016
MovieDocumentary
“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho

Production Assistant