Mariano Marín

While working on a thesis about audiovisual violence, film student Ángela finds a snuff video where a girl is tortured until death. Soon she discovers that she was a former student in her university, and that the authors of the video are not very far either.

Handsome 25-year-old Cesar had it all -- a successful career, expensive cars, a swank bachelor's pad, and an endless string of beautiful and willing women -- until he is thrown into a strange psychological mystery after a car accident scars his face and lands him in prison.

Mario and Clara, his pregnant girlfriend, try to find a new apartment to settle in as soon as possible, so they go to visit one in a distant neighborhood that seems abandoned. Once there, things are not as they expected.

Just Santos, cabaret actor with a talent for imitation, receives the offer of a role in a movie that could change his life and his family.

A hit man receives the assignment to kill a woman. But what seems as another job complicates when he is about to execute her, but does not. He will have to go after those who gave him the contract, for, in his profession, those who do not comply with their duty end up dead. But the question remains, why did he not kill the woman?

Samuel is ten years old and is madly in love with Lucía, who is twelve years old and has a master plan to get rid of the only obstacle left in her life to get what she wants: to be a writer, film critic, and rich.

Mirta is Cuban and lives in Madrid. As many others immigrants she works in cleaning industry. Today at six o'clock p.m. her daughter is going to marry. But nothing turns out as she hopes, and to reach this wedding is more difficult than it appeared at first sight.

A fusion of film and theatre based on the play of the same title by Micomicon. The film shows the play and its creative process. After her mother's death, Antonia finds a box which takes her and her daughter on a trip through Europe to former Yugoslavia. Remembrance, exhumations and wars. Life will not be the same.

A group of actors in Madrid are cast in a theatre show conceived as a dance marathon and as an unscripted competition. ‘Malditos’ follows their drifting between success, failure, fame and self-realization, interweaving non-fiction interventions and staged representations, constantly blurring the boundaries between fiction and reality.

Carlota has an open war with the caretaker of her community, Candela, whom she considers a person at risk. Carlota did not always know that HIV does not understand social status, gender or sexual orientation, she had to learn it by having it closer than she could ever have imagined.