Katsumi Ishizaki

Katiri is a reporter so ambitiously amoral that he’ll sell out anyone—including his partner and the drug dealer he’s sleeping with—to get a scoop. But what happens when an even more ruthless female gang boss kidnaps his sister?

1962 Japanese movie

A college student takes over the family business in the field of organised crime.

A touching story of a girl who sails away from her love to keep her family together.

1962 Japanese movie

This is a factory area in downtown Tokyo, and Hikaru, nicknamed Pika-chan, is a nurse at the Mihara Clinic, a friend of the poor.

Akira, a young, jazz-obsessed drifter, returns to his squat, a ruined church, and finds Gill, a wounded African-American GI, on the run after the death of a white GI. Despite terrible misunderstandings and culture clash, Akira agrees to help Gill escape towards the sea, dodging military police along the way.

A hilarious comedy where newly appointed teacher Oyae shows off her unusual plays as she fights alone against a group of five bad boys.

Kunio Shimizu, a sailor of Tohto University, helped a girl that was chased by someone on her way home from practice.The girl went away without saying anything, leaving her wallet with Kunio. A few days later, she visited Kunio. She was working at a toy factory called Tomoko Nishizawa. Kunio naturally became attracted to Tomoko, but for some reason Tomoko refused to talk about her past. One day, the two went to the bowling alley and were approached by Tempira...

1962 Japanese movie

1961 Japanese movie

1962 Japanese movie

A crime film released in 1962

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

1962 Japanese movie

1962 Japanese movie

1962 Japanese movie