Rano Khamrayeva

Turkestan, 1919. The prominent Bolshevik Valerian Kuybyshev is appointed commander of the Turkestan Front. The film tells the story of the establishment of Soviet power in Central Asia.

From Tashkent to Bukhara go on excursion in the holidays of the pioneers, selected from the best, but for two pioneers Shahir and Vitka this trip is primarily an opportunity to find the treasures of the last Emir of Bukhara, who hid them when the troops of the Red Army approached the city, and the Emir realized that he could not hold Bukhara. In Bukhara our friends are already waiting for their accomplices, the same pioneers Anvar and Gulka, who have a map of the alleged place of the hidden treasures. Upon arriving in Bukhara, the four treasure hunters begin their search for the treasure, finding themselves in funny and absurd situations.

Rano is a matchmaker; trying to find a bride for a forty-year-old bachelor. She does not even dare to think about the fact that she can love herself, as this is contrary to tradition, because she is a widow.

At the beginning of the First World War, Alexander Dragovich went to the front as a teenager. The October Revolution caught the hero in captivity in Russia. Like many of his countrymen, Alexander defected to the revolution. After becoming a chekist, Dragovich was sent to Turkestan. The film tells about the heroic struggle of a special purpose unit with gangs of Basmachi, spies of various stripes and saboteurs, about the adventures of the anarchist Kolya and the tragic love of Mushtari and Dragovich.

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.

High in the mountains of Tajikistan lies the Obi-Safed meteorological station. Komsomol members Rajab, Dilbar, and Vika work there. Suddenly, the station’s peaceful life is disrupted by alarming news: a violent flood of the mountain rivers is expected, threatening the fields and herds of nearby collective farms. To assist the meteorologists, hydrologist Mirsaid arrives by helicopter from Stalinabad. For the helicopter pilot, Petr, every flight to Obi-Safed is a joy — his fiancée Vika is there. For the young, confident hydrologist Mirsaid, these flights are also not without interest, as he is actively courting Dilbar, much to Rajab’s dismay. Meanwhile, danger approaches.

During the Civil War, the young Uzbek playwright Muzaffar and the Russian girl Natasha, who became one of the first actresses in the Uzbek theater, unite their like-minded people to create a national theater. Amid rehearsals, performances, and the struggle for a new art, love blossoms between them. However, fanaticism, prejudice, and the harsh trials of the era stand in the way of their dream. The story of the first Uzbek theater's development becomes a story of great love, courage, and self-sacrifice.

Student Malika studies at one of the universities in Dushanbe. Her hobby is field hockey, and she is the center of attack for the Sogdiana women's team. One day, Malika meets Said, who studied at the University of Bombay, where the young man, it turns out, learned not only the humanities, but also the game of field hockey, kung fu techniques, and even the secrets of the skill of Indian dancers. Said instantly falls in love with Malika and soon becomes the coach of Sogdiana. But the proud girl, offended by the new coach’s comments, goes to the synchronized swimming section. Disguised as a correspondent, Said enters the pool.