Safira Moreira

After her grandmother’s death, Ana finds herself adrift. Following the clues left by her late grandmother, Ana arrives in Belo Horizonte and meets Alice. As they make sense of the city’s layout and their memories, Ana and Alice will discover what it means to become who they are.

Returning early from his vacation after the Carnival period to investigate the murder of a young French tourist, Breno Wanderley is faced with possible reflections of his own history from which he cannot escape. Between Ash Wednesday and post-Carnival Sunday, Breno tries to unravel the crime and sees in his son, also called Breno, a chance to reinvent himself in a broken and sullen city.​

Ayo is an artist who lives alone submerged in her own sea and begins to question her identity when, through self-portraits, she realizes that she does not see herself as she really is. From then on, she begins to disentangle herself from the process. of social whitening and struggles with herself to claim her blackness.

The story of a photograph: A single mother, an absent father and a child.

"Luis of Charme" promotes an encounter between father and daughter to address paternity through the memories of a man that dedicates his life to dance.

A river and its affluents.

The camera docks on land and follows Safira, along with her child, as they head toward the community. The hands, the work, and the small gestures of the people gradually lead us through rivers of birth, memory, life, and death. After the passing of her mother Angélica, the director searches for her in other landscapes, through cities flowing along the Paraguaçu River in Bahia and the Alegre River in Maranhão, in her first feature film. This winding journey crosses generations, time, and knowledge with the rhythm, enchantment, and generosity that Moreira had already demonstrated in her short films.

Jaiane now lives in Brazil, while Aissa, a Mozambican sailor who has just arrived in the city, tries to have a real experience on dry land. A story of unconventional passion follows.

Utilizing a poetic language, Travessias born from the search of photographic memory of black families and it takes a critical and affirmative position in the face of the almost complete absence and stigmatization of the representation of black people.

Without sponsorship, Olympic medalist Adriana Araújo dreams of the world title.