Kiyoshi Kasuga

Hanpei is a gentle young samurai that loves flowers. One day, he witnesses an old man's quick draw of the sword. He is so impressed that he becomes the old man's pupil. Soon, Hanpei's skill of sword comes to attention of his lord. The lord orders him to assassinate a man...

Two sculptors spend the night in a mountain lodge after being caught in a snowstorm. A female spirit appears and takes the life of one of the men. She spares the other man's life on the condition that he never tell anyone what happened that night.

[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.

Returning to the village where a year before he had killed Hirate, a much-admired opponent, Zatoichi encounters another swordsman and former rival in love.

In one of Japan's most frequently-told ghost stories, a murdered wife returns in an act of vengeance.

Disguised as a beggar monk, Ryunosuke is harassed along the road by the rowdy members of a country dojo or fencing school malingering outside their fencing hall. The third film in the Satan's Sword trilogy.

During the Warring States era of early 17th century Japan, teenage princess Sen is besieged with other members of her family in Osaka Castle, by a rival force led by her grandfather.

[Period covered: 1616] On May 8th, 1615 the summer campaign of Osaka has reached the climax. This film takes place immediately following 'Ninja 4: Mist Saizo, Last of The Ninja'. Staying one step ahead of the Shogun’s forces, “Mist” Saizo tries to save the Sanada Clan, and avenge the death of his lord by assassinating the first Tokugawa Shogun. Following the first four films in this remarkable series, more previously unknown Ninja skills are shown to the world for the first time. The action heats up as Saizo single-handedly attacks the Shogun’s Palace!

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

The 39th "Tengu Kurama" feature starring Arashi.

A cowardly boy fencer becomes invisible and matchless through a magic potion.

The story of the hardships facing women working as maids and waitresses at a resort hotel restaurant.

As a child, Okin the one-armed one-eyed swordswoman was disfigured by Lord Daizen-dayu, who was after her family's most treasured possession, the famed Drenched Swallow sword. As an adult, she has become a skilled swordswoman and lives a carefree life with her adopted family. One day, Okin saves a girl from a group of yakuza, and in doing so, gets involved in a grand conspiracy involving religious leaders, government officials, the yakuza and Lord Daizen-dayu, the man who killed her father and mutilated her body...

Nezumi Kozō is the nickname of Nakamura Jirokichi, a Japanese thief and folk hero who lived in Edo during the Edo period. His exploits have been commemorated in kabuki theatre, folk songs, jidaigeki, and modern pop culture.

Two amiable samurai wind up on opposite sides of the vendetta between Lord Asano's retainers and the family of Lord Kira that led to the famous revenge of the 47 Ronin.

Tonii is a salesman at a mortgage company, and although he is in a romantic relationship with Haruko, a typist at the company, they cannot get married because they have nowhere to live. Growing impatient, Haruko declares, “As long as he can support us, I’d even marry an old man,” leaving Tonii deeply troubled.

Getting an opportunity to meet with another half-Caucasian swordsman, Kyoshiro finds himself involved in a series of dangerous encounters.

A story loosely based on the affair between Empress Kōken-Shōtoku and the monk Dōkyō, set during the Nara period (710–794 A.D.).

Film directed by Kenji Misumi.