Adrienne D'Anna

Hoping that self-employment through gig economy can solve their financial woes, a hard-up delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of modern-day labour exploitation.

Jenny, a young doctor who feels guilty after a young woman she refused to see winds up dead a few days later, decides to find out who the girl was, after the police can't identify the young woman.

Housed in a shelter for young mothers, Jessica, Perla, Julia, Ariane, and Naïma, all of whom have grown up in difficult circumstances, struggle to obtain a better life for themselves and their children.

A head nurse defies hospital rules to let a mother stay with her malnourished son. As they navigate a complex crisis, the nurse's empathy proves just as vital to the boy's healing as medicine.

Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.

In the near future, during a health crisis, novelist Clarissa Katsef visits the Ludovico Foundation housing complex in search of inspiration. With the help of her AI assistant Dalloway, she finds fresh inspiration as she immerses herself in her writing.

Brahim is a young man, and secretly gay. At his mother’s birthday party, tensions around his unaccepted sexuality become unbearable. Brahim flees the oppressive family home into the night, where a terrible encounter awaits...

November 1943, German-occupied Belgium. In the face of grave danger if caught, the Independent Front, a Belgian resistance organization, publishes a spoof edition of Le Soir to satirize the German occupiers and the nation’s main propaganda-controlled newspaper. Le Faux Soir is considered the first act of media hacking in history.