Harish

Civil Marriage

Two devoted sisters find themselves in love with the same man, and in an act of sacrifice, one lets the other marry him. Life seems settled until a newcomer—a man with progressive, socialist ideals—arrives, challenging their traditional outlook and stirring emotions long buried. His presence forces both women to confront their feelings, question the choices they’ve made, and navigate the tension between duty, personal happiness, and changing social values, culminating in a quiet yet emotionally charged resolution.

Rekha

A great drama of life & humanity that's exploring profound human experiences and societal themes

Neelam

An early romantic comedy staring Meena Shorey and Harish

Zapatlela 2

Tatya Vinchu comes back to life after 20 years, and now wants to migrate into the body of Lakshya's son.

Sanskar

Prakash returns home to his wife Rajni after completing his studies, but his sister-in-law Bijli spreads false stories to turn him against her and pushes her niece Sudha toward him. Sudha uncovers Bijli’s scheme, clears Rajni’s name, and restores peace to the marriage.

Aurat

Radha is a resolute mother, who strives hard against poverty and a lecherous money lender to feed her two sons who grew up with contrasting temperament.

We Three

Mehboob presents the autonomous passion of Leela (Rose) for Moti (Motilal) who is promised to another woman, Bina (Maya). Leela is portrayed as irresponsible and impulsive as she acknowledges her desire for Moti and has a child by him. Bina then releases Moti from his promise. Moti suffers when he is told by Bina’s father (Sankantha) that she is dead, while Leela’s father (Pande) enjoins his daughter to commit suicide if Moti does not marry her. In spite of the film’s endorsement of ‘traditional’, lethally oppressive patriarchal mores, incarnated by the women’s fathers, Mehboob’s narrative at least dares to depict a woman who refuses to feel guilty about her desire.

Jail Yatra

Jail Yatra is an Indian Hindi-language drama film released in 1947. It was directed by Gajanan Jagirdar.